Life in harmony
Stan Walker is all grown up – and learning to find the balance between his music and his expanding whānau.
Words Martyn Pepperell Photos Garth Badger + supplied
On 22 November 2009, a 19-year-old Stan Walker took to the stage at Australia’s storied Sydney Opera House for the grand final of Australian Idol. That night, Stan was crowned the show’s ultimate winner, his debut pop single “Black Box” became available for purchase online, and a star was born.
Stan has become one of the most celebrated Māori singers of the new millennium in the 13 years since. Along the way, he’s dominated the top 40 music charts in Australia and New Zealand, shared arena stages with American hip-hop and RnB stars like Beyoncé, Nicki Minaj, and Akon, and graced the silver screen as an actor. All the while, he’s carried himself with dignity and humility amid navigating enough tragedy and heartbreak to last several lifetimes.
In late August, I spoke with Stan for UNO from Sony Music New Zealand's offices in Auckland, where he was conducting press for his seventh studio album, All In. In the weeks beforehand, Stan spent his days at home in Whanganui with his wife Lou Tyson, their son, and their new baby. “My biggest thing I want is to be a present husband and a present father,” he told me. “That’s important for my family, but it’s also important for me. So anything I do has to work around my family or work for us.”
As we began talking, I asked him how his younger self would have imagined his life at age 31. “It’s a crack-up because there is nothing I’ve wanted more than being a husband and a dad,” he said with a wry grin. “I’m here now, I’ve been that, and I am that. It blows me away because I can’t imagine my life being any other way now. I complain every day about something, but I love the problems I have and the life that I’ve built.”
Born in Melbourne on 23 October 1990 to Ross and April Walker, Stan grew up between Tamapahore Marae in Tauranga and Byron Bay. Two years ago, he opened up about the early days of his life in his first book, Impossible: My Story, co-written with the ghostwriter Margie Thomson. The stories within Impossible are harrowing and beautiful in equal measure, painting a vivid portrait of a once-in-a-generation talent with an almost limitless capacity for forgiveness. “Doing the book was one of the most incredible experiences of my life,” he said. “I knew I had to be so open and raw for it to achieve what I wanted, which was to help people heal and break cycles, bro. We’re brought up chucking everything under the carpet. I’m like, nah, I’m lifting it up. Let’s look at what’s under there.”
Earlier this year, Stan received one of his biggest nods of recognition when Elton John approved the use of his te reo Māori cover of “Can You Feel The Love Tonight?” in the recent te reo reboot of the Disney animated classic The Lion King. “There’s been a lot of things I’ve done in my life and career that have made me feel like I can die happy, but that has to be at the top of the list,” he enthused. “That’s my favourite movie of all time. To have it redone in our language and get the sign-off from the Elton John for my version, it’s so crazy.”
Whether it’s family life, recording and performing or other activities, Stan keeps himself busy. Over the last two years, he’s appeared in The Walkers, a reality television show about his family, collaborated with the fragrance and fashion designer Jakob Carter on an Eau de Toilette fragrance called Human, and was honoured at the Ngā Tohu Toi Mo Ngā Uri Iwi o Te Rohe o Tauranga Moana Matariki Awards 2022 as Creative of the Year. He’s also released Te Arohanui, a collection of his greatest hits re-recorded in te reo Māori, continued to wow audiences, and become actively involved in promoting awareness around a range of social and environmental issues. “We work our asses off, bro,” Stan told me. “We’ve sacrificed so much to live this life we desire, but it doesn’t happen overnight.”
Thinking back to when he started out in the music industry after Australian Idol, Stan remembered his younger self as “fresh and green”, with a burning desire to take his songs to the world. “I wanted to go to America and be an American artist,” he admitted before continuing with a chuckle. “At the moment, I couldn’t think of anything worse. I love who I am, and I love where I’m at. That’s more important to me than anything else. I love that the audiences I want to reach are in my backyard, and I love that my backyard is the most beautiful and fulfilling place with all the resources to be the best version of myself. If in the future my music does take me to America, mean, but I don’t want to be taken there and stay there. I’m really happy, bro.”
For Stan, a huge part of his current happiness came together over the last half decade, which is also the length of time he spent recording his new album, All In. “Over the last five years, the real testing times in my life happened, and so did the incredible breakthrough times,” he said. When he mentioned testing times, one of the things Stan was alluding to was having stomach removal surgery after he discovered he had gastric cancer in 2017. The cause was CDH1, a hereditary gene mutation which has claimed the lives of over two dozen of his whānau. The surgery was one thing, but recovery complications were another. For months afterwards, Stan was in a fight for his life. As his condition improved, Stan returned to one of the things he does best, making music. The incredible times were just around the corner.
Turning away from the demands of the top 40 charts, he called on a new cast of collaborators from New Zealand’s soul, hip-hop, reggae and electronica music scenes. “Every single person who worked on this album comes from different worlds,” he explained to me. “We made the whole new universe together where we could all do something different.” Within this universe, they help him craft a set of songs that reignited the fire of his youth. “I told everyone, don’t talk to me about radio. I don’t want to hear nothing about Beyoncé is doing this, or Rihanna is doing that,” he said. “I just wanted to get back to making music that I feel. Not everyone is going to love this or even like it, but I don’t care. I’ve come to the point where if I don’t love it, what’s the point of doing it?”
While reflecting on the recording sessions, he mentioned his producers, Matt Sadgrove from the reggae band Sonz of Zion and Devin Abrams, aka Pacific Heights, a former member of the live drum’n’bass band Shapeshifter. “Bro, it was wicked working with them. Devin is the most crack-up dude ever.” Stan also had high praise for Scribe, the legendary New Zealand hip-hop artist who wrote the early 2000s anthems ‘Not Many’ and ‘Stand Up’. “Having Scribe on the album was probably one of my biggest flexes,” Stan told me. “There’s no else one that has ever been, or ever will be, a Scribe.”
One of the standout songs on All In is “The One You Want (60s Song)”, a bouncy reggae, hip-hop and RnB-tinged collaboration with the exciting Kenyan New Zealand rapper Jess B. Over the last four years, Jess and her close collaborator, the DJ Half Queen, have been the driving forces behind FILTH, an Auckland club night that places an emphasis on celebrating New Zealand’s queer, Indigenous and immigrant communities.
Stan is a huge supporter of what they’re doing and was honoured to be able to include Jess on his album. “Bro, I reckon it’s mean,” he said. “There’s a big group of people who need to be able to express themselves freely. They need to have their people, their time, their moments, and their nights. It’s so cool to see what they’re doing. Ten years ago, I wouldn’t have gotten it, but because of everything I’ve been exposed to, it makes my heart happy. I just love seeing people be free in who they are.”
Something else that makes Stan’s heart happy is spending time in the Bay. “Tauranga is huge for me because that’s where I’m from,” he told me. “That’s where my Whenua is, that’s where I will lie when I die, that’s where my upbringing was. My first inspiration for singing was my nannies while I was growing up on Tamapahore Marae. I grew up in the village. I’m still very much a village kid who is creating his own village. My core values started there, and Tauranga Moana still has my heart.”
A self-described geek for genealogy or whakapapa, Stan draws a huge amount of strength from his family history. “People always say, remember where you come from, but that’s only one half of it,” he explained to me as we came towards the end of our interview. “The other half is who you come from. Once I found out who I come from, everything changed in a whole new way. I had to be incredible, outrageous and amazing because the people I come from are incredible.”
Deep in thought, Stan paused for a moment before continuing with a final defining statement about both the place he calls home and his family history. “When I think about Tauranga and who I come from, I wouldn’t be here without their sacrifices. They set the standard. I am their legacy, bro, and I’m doing everything that I should be. They survived all they survived and fought all they fought for us to be incredible. They’re the biggest part, of the core, of who I am.”