For the love of arts
The new artistic director of Tauranga’s flagship Arts Festival brings passion and experience to the event.
The new artistic director of Tauranga’s flagship Arts Festival
brings passion and experience to the event.
Words Monique Balvert-O’Connor Photos Jeremy Hooper
Gabrielle Vincent thinks she may have shed a tear or two upon hearing she’d got the job of Tauranga Arts Festival artistic director.
“I love programming live performance and really wanted to get into the festival world, so being given this opportunity was just so very exciting,” is how she explains her happy tears.
Renowned as one of the most exciting art producers in the country, Gabrielle has come to the Tauranga Art Festival job after six years leading Auckland’s Basement Theatre where she commissioned and produced some of New Zealand’s boldest and bravest new talents.
The new position she was so thrilled about came her way at the tail end of 2020. But because the COVID-19 pandemic put paid to the planned 2021 Tauranga Art Festival, and caused a pushing out of this year’s Escape festival (from June to October), there’s a sense among Tauranga’s art community that Gabrielle has yet to be properly introduced. The October 12 to 16 Escape – little festival with big ideas – event is about to change that.
“This will be the first festival I actually get to deliver. We did a lot of work and came up with an exciting programme for the 2021 festival – it was heartbreaking having to call that off. Now it’s really wonderful to be able to deliver something.”
While she has years of experience programming, Escape will offer Gabrielle (34) her first opportunity to programme a writers’ festival. And what an exciting journey it has already been, says this woman with great ideas and vision.
There’s much on offer to thrill, and Gabrielle selects News, News, News as an example – a television news show, made by children for adults, recorded in front of a studio audience and broadcast live from Baycourt. Children from Mount Maunganui primary will be involved, guided by Andy Field and Beckie Darlington – Gabrielle’s enticed both over from the United Kingdom. Andy and Beckie came up with the concept, and have worked with children across the world who have performed it.
“It’s going to be a really fun show. It’s incredibly informative and, of course, very funny and sweet and enlightening.”
Gabrielle is delighted the timing of Escape falls within the school holidays, and as a result the line-up includes many family-friend events and children’s work.
“I am passionate about art bringing family together and sharing moments that become memorable experiences,” she says.
Gabrielle’s daughter (she and husband Simon have a three-year-old named Edie) will grow up with a plethora of such memories, for sure. Before long she’ll be tagging along with her mother who loves to soak up theatre, dance and music performances. Perhaps, like her mother, Edie will be a “drama geek” at school, too.
Acting, singing – and a seventh form curriculum full of art subjects – filled schoolgirl Gabrielle’s creative soul with joy. As a school leaver, who felt “incredibly passionate” about theatre and live performance, Auckland Unitec beckoned with its opportunity to major in theatre directing.
During her third year of study, Gabrielle was seconded to Auckland Theatre Company, where opportunities included getting to assistant-direct a show. Then, when a stage manager position came up, Gabrielle – who thoroughly enjoyed being backstage – was the “go to”. Gabrielle spent the next six years as a freelance stage manager, working mainly for Auckland Theatre Company.
A keenness to get into the producing side of the business coincided with a six-month pilot producers’ programme on offer at Auckland’s Basement Theatre – the home of independent theatre.
“I got that, which was exciting. I saw many emerging artists come through and then head off and thrive
doing phenomenal things.
“I then realised I actually liked programming more than producing and I managed to get a programme director
job there for about five years.”
It’s been a career full of wonderful opportunities and adding the part-time Tauranga Arts Festival director job to the curriculum vitae is another highlight. Preparation for the next festival, in 2023, with its range of art forms are well underway. But first, Escape, with its writers, speakers, live theatre and more.
“Programming a writer’s festival has been a really exciting journey. It occurred to me that what’s different about this compared to other live performances is that none of the conversations are rehearsed. They are conjured up by people, places, ideas and we are seeing something magical unfold at the time. Conversations are unique and cannot be replicated,” she says.
When UNO chats to Gabrielle she’s not long off preparing to head to Tauranga (Auckland is home base) for a month, in readiness for, and for, Escape. She can’t wait!
Great escape
Running from October 12 to 16, Tauranga’s Escape Festival brings some of the best writers and thinkers to the Bay for a little celebration of big ideas.
Running from October 12 to 16, Tauranga’s Escape Festival brings some of the best writers and thinkers to the Bay for a little celebration of big ideas.
Impressive writing, journalism and thinking is what makes up this series of invigorating talks and panel discussions. Here are some of the authors featured and highlights to look forward to at Escape 2022.
Gangland
In Gangland, Tauranga’s own award-winning investigative reporter Jared Savage shines a light into New Zealand's rising underworld of organised crime. His stories go behind the headlines and reveal an invisible world that’s frighteningly close to home - in which millions of dollars are made, life is cheap and allegiances can change with the pull of a trigger. Gangland also reveals the wider social issues facing Aotearoa, including gangs and our illicit drug market. Over the past 20 years, dealers have graduated from motorcycle gangs to Asian crime syndicates and now the Mexican cartels - the most dangerous drug lords in the world.
One in Four
One in Four is an intimate kōrero between recently retired fertility counsellor and author of Maybe Baby Sue Saunders; actor and author Michelle Langstone, who writes about her IVF journey in her outstanding novel Times Like These; and journalist, actor (Shortland Street) and writer Elisabeth Easther.
Barrister Kathryn Lellman, who has sponsored this special event, says, “One area of speciality for me in my family law practice is surrogacy and adoption, and I am endlessly fascinated by the ways through which we can now make babies and constitute families and how that is reflected legally. I am acutely aware of the challenges fertility issues bring to families. It is going to be a fascinating, heartfelt session.”
The Mirror Book
Shortlisted for the 2022 Ockham Book Awards, Charlotte Grimshaw’s explosive and thought-provoking memoir The Mirror Book is a vivid account of growing up in one of New Zealand’s most well-known literary families: That of poet, novelist and memoirist CK Stead. Grimshaw says, “When I became a writer I took a different surname from my father’s to distinguish myself from him. But later on in life I discovered I was still very enmeshed in our family fictions, and my memoir The Mirror Book is an account of challenging those fictions, forming my own opinions and finally achieving my own sense of a truly independent self. I received ferocious reactions before the book was published, and when I showed the manuscript to some members of my family. I wanted to publish the book even though I knew it would be difficult.” In conversation with Michelle Langstone, Grimshaw deep-dives into this truth, the fallout, and the messy reality of family life.
Too Much Money
Today, someone in the wealthiest one percent of adults in Aotearoa – a club of 40,000 people – has a net worth 68 times that of the average New Zealander. Max Rashbrooke’s Too Much Money is the story of how wealth inequality is changing Aotearoa. This talk addresses a conversation most New Zealanders prefer to avoid: class. Chief Philanthropic Officer at the Michael and Suzanne Borrin Foundation, Tupe Solomon-Tanoa’i speaks with Rashbrooke and final Chair of Auckland District Health Board and company director Pat Snedden about the evidence of - and the possible solutions to - our inequality issues, and asks us to consider whether we really can reduce wealth disparities to a point where most people are doing well.
NUKU: Story Sovereignty
In 2021 the much-celebrated book, NUKU: Stories of 100 Indigenous Women was released, platforming Indigenous wāhine and giving them ownership over their narrative in an unfiltered, uninterrupted way. Through telling their stories, the women in NUKU seek to influence the world around them. In this powerful panel session, NUKU founder, creator and publisher Qiane Matata-Sipu (Te Waiohua, Waikato, Ngāpuhi, Ngāti Pikiao and Cook Islands) discusses story sovereignty with two formidable Tauranga wāhine – Pāpāmoa-based marine ecologist, Professor Kura Paul-Burke (Ngāti Awa, Ngāti Whakahemo), filmmaker and producer Chelsea Winstanley (Ngāti Ranginui, Ngāi te Rangi), alongside racial equity educator, Kat Poi (Tainui, Te Arawa, Tonga) from Courageous Conversations South Pacific. These women will generously share their stories – the good and ugly – and wrestle with how story sovereignty could be improved today in Aotearoa.