Love conquers all

He’s one of Aotearoa’s biggest music stars and she’s working hard to make a difference in our community. Together Rachel Axis Taane Tinorau and Tiki Taane are one of the Bay’s most recognisable couples. Here they talk about their unusual love story, overcoming addiction and ghosts.

Words Karl Puschmann | Photos Graeme Murray + Supplied
Styling Nicky Adams | Hair Sam Henry | Make up Desiree Osterman

Moving up to the Bay from Christchurch had been a dream come true for Rachel. But the dream turned into a living nightmare when a ghost showed up. “I had a rough time when I first moved here. There was a weird energy and a spirit,” she tells UNO over a piping hot cup of cinnamon tea. “We nicknamed him Spirit Fingers.”

We’re sitting in the comfy lounge of the Pāpāmoa Beach home she shares with her husband, musician Tiki Taane. It may be a gloriously sunny afternoon but her haunting story and the spirit’s creepy nickname cause a shudder. 

It’s fair to say that Spirit Fingers put something of a spooky damper on the excitement the couple had been feeling. They’d spent two years making their long-distance relationship work. Rachel’s move up in 2015 marked the beginning of not just their life together but, as they each had a child, also the beginning of their life as a blended family. The couple couldn’t have been happier. 

Until…“I’d wake up with someone standing next to the bed or at the bedroom door,” Rachel continues. “When Tiki was away, walking down the hallway would freak me out. It was creepy. I could feel there was always someone there. It was full-on.”

Tiki, who has planted himself in a huge, comfy beanbag, nods and says, “Where we are there’s a lot of spiritual energy. And a lot of spiritual history as well.”

He explains that the area was used as battlegrounds and that there are urupā (burial sites) underneath the nearby boardwalks that stretch along the beachfront. “That’s why it’s up high,” Tiki explains. “There’s a lot of bones in that area.”

There was something strange in their neighbourhood, but both being spiritual people, they weren’t about to call Ghostbusters. Instead, they wanted to show respect and understanding. They had a karakia (a traditional Māori prayer to invoke spiritual goodwill) written, which they then recited in their home. “It was basically to say to them, ‘You're welcome to be here’,” Rachel says. She laughs, then adds, “But just please don’t interfere with my sleep.”

Looking back now, she thinks it was curiosity, rather than a terrifying Hollywood-style haunting, that was the spirit’s motive.

“Tiki’s been settled here for a while so they were probably like, ‘Who’s this bitch?’” she grins. “They were just sussing me out. Since the karakia, it’s been sweet. There’s definitely still an energy, but not a bad one.”

“This whole area of Pāpāmoa has an energy that I really enjoy,” Tiki says. “I love it here.”

His connection to the area runs deep. He moved here back in 2010 but first visited in 1996, when his former band, the award-winning group Salmonella Dub, played in the Mount. 

“The first time I came it blew me away. Then I just loved coming back here,” he says. “It’s always been good vibes.”

When Tiki first laid eyes on Rachel, she wasn’t even there. He was in Auckland getting a tattoo when he saw a photo of his tattooist and her friend. “I was like, ‘Who’s that hottie?’ and she was like, “Oh, my God! I’ll hook you up!’” he laughs. 

Rachel of course knew of Tiki, but even with their mutual friend putting in the good word, she wasn’t prepared to rush a meeting with a stranger.

“Rachel was like, ‘This is a red flag’,” Tiki laughs. “She didn't give me her number. She gave me her email. So I started emailing. Then emails led to texting and texting led to phone calls. We'd call each other every night.”

In that regard, it was quite an old-fashioned courtship, with Tiki really trying to impress her. “Yeah. Hard,” he grins.

When Tiki appeared somewhat out of the blue, Rachel was concentrating on being a solo mum to her toddler and not at all about relationships. “I hadn't had very good experiences with men, so I had my boundaries up,” Rachel says. “I was quite weary. But Tiki was really respectful. He wasn't creepy. So when I had trust through the emails, I was like, ‘Okay, here's my number’.”

While the pair hadn’t committed to each other, they were becoming bigger parts of each other’s lives. But they hadn’t yet met and were still, in the words of Rachel, “doing our own thing.”

About six months on from their virtual meeting Rachel entered a radio competition to win a trip to Rarotonga. It was a typical shock-jock style of radio competition, which saw five married men going to the island with five single women and their friends.

“It’s so wrong and looking back now I’d be so anti it,” Rachel admits. “But I entered as one of the single chicks and won. I told Tiki and it turned out the dates I was there he was actually going to be there as well.”

In what can only be described as serendipity – a word Tiki would also use when he wrote a love song to Rachel before proposing on camera during the making of its music video – he was going to be there with the drum ’n’ bass group Shapeshifter.

The pair arranged to meet the night she arrived and he zipped over to her hotel on a scooter. After their six-month courtship, the couple finally met, and embraced, for the first time.

“Then she got on the back of my scooter and that was it,” Tiki beams.

“I pretty much spent the whole time with Tiki,” Rachel smiles. “It was a great first date.”

After the fairytale romance in Rarotonga, the real world hit hard when they returned home. Rachel’s friends were worried she’d get too attached and her mum was concerned her old habits might return.

“My mum was absolutely horrified. I'd been through such an intense time with addiction that she was really scared about the rock-and-roll, party lifestyle. Tiki was not like that at all. But there was an assumption, a stereotype, that the music industry
is all about getting slaughtered and taking drugs all the time. It may be in some groups, but not ours.”

Having finally met Rachel, Tiki wasn’t about to let her go. He already knew she was the one. He emailed her tickets to fly to Auckland that weekend so they could go to a dance party. 

“You told me that you loved me and I was like, ‘Ooof. This is a red flag’, because it had only been a week of physically knowing each other. But you asked me that weekend to be your partner. I was like, ‘Yeah!’ and here we are!”

“We both had the same mindset and just really connected, big time,” Tiki says. “We were talking for months and months and months before we actually met in person. So we built our connection that way.”

“Yeah, we had the same values and passions, like advocacy. We both had a kid, they’re only two years apart,” Rachel adds, referring to her daughter Karcia (12) and Tiki’s son Charlie (14). “And a similar life story in a way. Both of us have been through addiction and both came out the other side of that. We're both of a similar vibe.”

Because Rachel’s mentioned it a couple of times, I ask about her addiction. 

“I was a meth addict for four or five years, from age 14 to 19,” she replies. “I'd done my work well prior to Tiki coming along. I went to rehab when I was 19.”

Rachel escaped into addiction due to trauma. Her parents separated when she was two years old and Rachel's relationship with her father has had its challenges ever since. She moved schools a lot due to bullying and at just 14 years old she was sexually assaulted in a park after a party. The culmination of all this trauma at such a young age led her to meth. 

“I still struggle with PTSD,” she says. “I hate the word addiction. I look at it more as escapism. When people use a lot that's usually because they're trying to numb or hide from something that's either happened or that's going on. But me and Tiki have a really good relationship where if there’s something going on, we both talk about it. We don't need to get wasted to numb anything.”

Those dark days are well and truly behind her. Having turned her own life around, she’s now determined to help others do the same. She does public speaking at events where she shares her journey through trauma, addiction and recovery and is also a qualified social worker who previously worked at Women’s Refuge and now goes into the Bay’s secondary schools to deliver consent education and healthy relationship education.

“As someone who has had sexual trauma, I wish that I’d had this education when I was younger,” she says.

Depending on the situations she encounters and the people she helps, it can sometimes be hard for her to switch off at the end of the day. But she knows Tiki is always ready to support her.

“I listen and I wait till she’s got it all off her mind,” he says. “It’s been a huge education for me as well and made me really become more talkative about sexual harm in the music industry. When you start delving into the subject, this kaupapa, you've got to look at yourself, what you've done and start questioning the behaviours that you've done in the past. Some of it might not be nice. I can't sit here and go ‘this, this, this and this’, I have to look at what I've done and think about that and go, ‘How come that happened?’ or ‘Why does this happen?’. It's a really vulnerable opening you've got to do, and I think a lot of people are scared to do that. For me, I've learned loads from Rachel. Untold amounts of stuff.”

Tiki, in turn, has also been sharing his knowledge with Rachel. Over lockdown, he taught her how to DJ and now she often plays support slots for him at his shows. Because he’s away playing his own shows so much he doesn’t often get to interact with the local music scene here that much. 

“This is my home. This is where I live. When I think of doing gigs and stuff, I think outwards. I don't think about playing locally. It’s quite interesting. I don't know why that is.”

As well as touring, Tiki produces artists and bands in his purpose-built home studio and recently released his first feature film, the award-winning concert-documentary Tiki Taane in Session with CSO, which he produced, directed and performed himself. Following rave reviews at the New Zealand International Film Festival, it has since been accepted into numerous festivals around the world and continues to clock up awards.

“It's doing really awesome. It's been a wicked buzz,” Tiki says of the project which took him three years to complete. “I'm so stoked that I rolled the dice on it.”

Spend some time with Rachel and Tiki and it’s easy to see why they work so well together. They’ve both overcome demons and found each other, and then overcame their initial physical distance to connect in a deeper, spiritual way. Their personalities complement each other with Rachel outgoing and Tiki more laid back. And with Spirit Fingers no longer haunting the hallways, their home has a chill vibe and a welcoming atmosphere. 

“We definitely made the deal, the commitment,” Tiki says of their relationship. “I knew from the beginning that I’m in this for the long run.”

Then, smiling warmly, he says, “It's been incredible.” 

Tiki Taane in Session with CSO is available to rent
at Tiki’s website tikidub.com

Change of art

Tauranga Arts Festival is renowned for bringing the world to the city’s doorstep but for this year’s October 19-29 extravaganza, the new team at the festival’s helm are embracing the moment.

Words Sandra Simpson

The Up-Doos - He’s a Rebel

Taking on the mammoth project that is the Tauranga Arts Festival is beyond exciting for the new festival organisers.

“In building this year's programme, we're reflecting a need to provoke joy and belonging for our audiences – as well as undertaking necessary conversations with the vital voices of Aotearoa,” says artistic director Shane Bosher. “We'll be staging some out-of-the-box experiences, including an interactive work for families, which we are super excited about.”

The superb travelling venue, the Carrus Crystal Palace, will be at the southern end of The Strand waterfront for music, a night of comedy and all the fun of a poetry slam, with other performances and events unrolling throughout the city.

Our place on the planet is Oceania, borderless and vast, ranging from the fiery volcanoes of O'ahu to the wild tides of Rakiura. It’s a place rich with story that UPU brings to roaring theatrical life with an all-star line-up of Māori and Pasifika performers who will invigorate the words of Oceanic icons as well as writers transforming Aotearoa today, including Maualaivao Albert Wendt, Briar Grace-Smith, Apirana Taylor, Tayi Tibble,
Selina Tusitala Marsh and Hone Tūwhare. 

UPU

Tusiata Avia, whose work features in UPU and is the author of a previous festival hit, Wild Dogs Under My Skirt, is the first female Pasifika poet to win the Ockham Award for poetry. The festival is delighted to feature the ferocious stage adaptation of that award-winning 2021 collection, The Savage Coloniser. Avia’s unapologetic examination of race and racism is full of bold humour and lacerating truths. “This is a red-hot festival ticket that audiences should fear missing out on,” Shane says.

The Haka Party Incident brings the events of a more-recent history – the “last New Zealand war” in 1979 – to the stage in an award-winning production. Resurrected is the eventful day when a group of Auckland University engineering students rehearsing their annual tradition of a mock haka are confronted by the activist group, He Taua. Provocative, resonant and unforgettable, this is a not-to-be-missed theatre event from writer and director Katie Wolfe.

The Haka Party

Laughter is an important component of any Tauranga Arts Festival and, thanks to an evening exploring questionable dating choices and romantic misadventures with Mr Wrong, the Carrus Crystal Palace will be a rollicking place to be. He’s a Rebel is a playful cabaret performed by The Up-Doos, actress-singers Liv Tennet, Esther Stephens and Aria Jones, who feature the music of Dionne Warwick, Shangri-Las and The Chiffons, among others. 

Meanwhile, in her new solo show Mean Mums, actress Morgana O’Reilly wants to tell you Stories about my Body, some not-so-funny, but some definitely funny, and with the healthy reminder to be more gentle and kinder to ourselves. Warning: There will be nudity (and you will love it!).

Do you love to sing, but only when no one’s listening? Two of Aotearoa’s musical heavyweights – award-winning musical director Jason Te Mete
and Rutene Spooner, a member of the Modern Māori Quartet – will tempt out your inner star and let you enjoy the thrill of a collective performance. In Battle Chorus, the maestros divvy up their audience and fight it out in a social singalong. With a complimentary drink to loosen the vocal cords, audience members will learn harmonies to great Kiwi hits, then join forces in a fun sing-off.

Tusiata Avia

A rising star with a voice born in the rushing mountain streams and placid green bush of Te Wai Pounamu is singer-songwriter Jenny Mitchell, who blends folk, alt-country and Americana into her own captivating style. Just as her songs speak to the family ties that bind, so too does her backing band that includes her identical twin sisters, Maegan and Nicola, accomplished performers in their own right.

Festivals encourage innovative art and Kiwi singer/songwriter Finn Andrews, lead singer of the rock band The Veils, does just that by joining forces with the luscious sounds of violin, cello and piano of NZTrio’s contemporary classical musicians Amalia Hall, Ashley Brown and Somi Kim to perform songs from One Piece at a Time, Andrews' first solo album and previously unreleased material.

Finn Andrews, Amalia Hall, Ashley Brown and Somi Kim

As well as top home-grown talent, the festival is thrilled to welcome Gráda, a five-piece Irish folk band (albeit one with a Kiwi member) that has reunited in 2023 especially for a New Zealand tour. Said to be to its genre what Arcade Fire are to indie (a big compliment), Gráda has appeared multiple times in Ireland’s top 10 music charts. 

Thought-provoking conversations are guaranteed with a Speaker Programme that includes novelist Emily Perkins, Jared Savage (Gangland), writer and director Katie Wolfe, comedian and writer Michele A’Court, children’s author Dame Lynley Dodd, and while playwright Nathan Joe, who also performs his Scenes from a Yellow Peril as a spoken-word event.

Another high-impact performer sharing stories from a life that straddles two cultures is Sameena Zehra, an award-winning performer, writer, director and blues singer-songwriter. Before moving to Aotearoa, Sameena lived in Britain where she performed at the National Theatre and toured internationally with the Royal Shakespeare Company. Her show, Tea with the Terrorists, confronts everything, whether sombre or silly, with a light and insightful touch. 

Jenny Mitchell

A Seat at the Table is one of the visual art installations in the central city during the festival. Attempting to rebalance the voices at the table of contemporary fine art, this intriguing work asks spectators to move around a large dinner table, with each place occupied by work from a diverse point of view. Pull up a seat and taste a more balanced contemporary art diet. Like the festival itself, everyone’s invited to this party!  

Tickets from ticketek.co.nz or the Baycourt box office in Tauranga. See the full Tauranga Arts Festival programme at taurangafestival.co.nz

The A to Z of Dire Straits

Everything you didn’t know you needed to know about the legendary English rock band, playing at A Summer's Day Live in Tauranga on December 30.

Words Karl Puschmann

A Summer’s Day Live 

This annual concert has become a must-do Summer event. This year Dire Straits Legacy headline, supported by Nazareth and Hello Sailor. They play Tauranga’s Wharepai Domain on December 30. Other dates include Napier, Matakana and New Plymouth.

Banned

Canadian radio banned Money for Nothing due to a problematic slur in the song’s lyrics. The ban was overturned in 2011, a mere nine months after being instigated. 

Compact Disc

Dire Strait’s 1985 Brothers in Arms was the first album in history to sell a million copies on the then brand-new Compact Disc format. 

Dire Straits Legacy

Former Dire Straits members keyboardist Alan Clark, guitarist Phil Palmer, percussionist Danny Cummings and saxophonist Mel Collins started this band. They enlisted the legendary Trevor Horn on bass and keys supremo Primiano Di Biase. Marco Caviglia, the world’s authority on original frontman Mark Knopfler’s distinctive guitar-playing style, leads the band. 

English teacher

Before Dire Straits took off Mark Knopfler was an English teacher at a college in Essex.

Football

Mark Knopfler famously supports football team Newcastle United. The
club plays his soaring instrumental, 1983’s “Going Home (Theme Of The Local Hero)” before every home game.

Grammy Awards

Dire Straits won four Grammys, including Best Rock Performance and Best Music Video, and was nominated for seven others including Album of the Year and Best New Artist.

Headbands

Dire Straits wasn’t the most fashionable band around, but Mark Knopfler’s dedication to sporting a headband during the 1980s has since become iconic. 

Infidels

Mark Knopfler produced Bob Dylan’s 1983 album Infidels. Dire Straits Legacy keyboardist Alan Clark also played on the record. 

Jack Sonni 

Guitarist Jack Sonni played with Dire Straits from 1984 to 1988. He was in Dire Straits Legacy until passing away aged 68 in September. The upcoming shows at A Summer’s Day Live are dedicated to him.

Knopfler, Mark

The founder, frontman and flipping amazing lead guitarist of Dire Straits. Classic Rock described him as “a virtuoso” and Rolling Stone ranked him 27th on their 100 Greatest Guitarists of All Time. 

Lawyers 

After asking Sting to sing backing vocals on “Money For Nothing” Mark Knopfler got a call from The Police’s lawyers. Because Sting accidentally sang “I want my MTV” with the same melody as The Police’s hit “Don’t Stand So Close To Me” the lawyers demanded – and got – Sting a song co-writing credit.

Money for Nothing 

This pop-rock classic belittling the rock stars on TV was written verbatim from an actual conversation Knopfler overheard in a hardware store. The song reached No.4 here, spending 27 weeks in the charts.

New Zealand

Dire Straits regularly toured here throughout the 80s. Their first gig was at Western Springs Stadium in 1981. Their final was at Mt Smart Stadium a decade later in 1991. 

On Every Street

The 1991 follow-up album to Brothers in Arms couldn’t match its predecessor's success. With morale at an all-time low, the band called it quits after the accompanying tour.

Private Dancer 

Tina Turner’s darkly seductive comeback hit was written by Mark Knopfler for Dire Straits. He shelved it after deciding the lyrics were unsuitable for a male singer. 

Q Magazine

Popular UK music mag Q ranked Brothers in Arms number 51 in their 100 Greatest British Albums Ever list.

Romeo and Juliet 

Alongside its Shakespearian influence, this early Dire Straits hit from 1981 takes oblique inspiration from one of Knopfler’s real-life failed romances.

Sultans of Swing

Undisputedly Dire Straits’ greatest song. This sublime, melancholic rocker from their self-titled 1978 debut album is a sophisticated fusing of rock, blues and jazz and details the (mis)fortunes of a pub band. The 10-minute performance on 1984’s live album Alchemy will rock your socks off.

Twisting by the Pool

The band’s only No.1 single here was this rock n’ roll throwback from 1983’s ExtendedancEPlay EP. It spent four weeks at No.1 and was in the charts for 15 weeks. 

Uli Edel

In 1989 the director tapped Mark Knopfler to write the soundtrack for his grim drama Last Exit to Brooklyn. Edel followed up this film with Madonna’s 1992 erotic thriller Body of Evidence.

Vertigo 

The British label that signed Dire Straits in 1977 after a London radio DJ played a demo of “Sultans of Swing” on his show.

Walk of Life 

This cheery ditty off Brothers in Arms spent 14 weeks in our charts, peaking at No.3. The album’s producer wanted to leave it off the record but he was outvoted by the band. 

Xylophone 

The xylophone appears on “Love Over Gold”, the title track from the 1982
album that went straight to No.1 in our fair country. 

Yes 

The influential English prog rock band was formerly home to current Dire Straits Legacy bassist Trevor Horn. 

Zaragoza

This Spanish city was the literal end of the line for Dire Straits. The band played their final ever concert there at the Estadio La Romareda on
October 9, 1992. 

For tickets to A Summer’s Day Live, visit trademark.flicket.co.nz

Life is a cabaret

Celebrated vocalist and Pāpāmoa local Mandy Meadows is taking her internationally acclaimed cabaret, Piaf: The Legend, around the North Island.

Words Karl Puschmann

Édith Piaf is a true French icon. The singer was one of the country’s biggest stars and one of its few musical acts to have a global impact. Her songs, largely autobiographical ballads about love and loss, were received as instant classics that immediately joined the standards songbook to be covered and reinterpreted forevermore.

But despite all of Édith’s fame, her life remains shrouded in mystery. Even decades after her death the renowned French chanteuse still
keeps many dark secrets. 

“She was a very complex, complicated character,” vocalist Mandy Meadows says. “She was abandoned by her mother and father who were circus performers and grew up in a brothel. Nobody really knew exactly where she was from.”

Mandy has been fascinated by Édith for as long as she can remember. As an international singer, it’s no surprise that she’d be enamoured by the songs, but Édith’s life also captured her imagination. So much so that she created a cabaret style show around it.

Titled Piaf: The Legend, the show tells the story of Édith’s life via her remarkable songs like La Vie En Rose, La Foule and Non, Je Ne Regrette Rien. For complete authenticity, Mandy sings them in their original French.

“All the songs are in French but the story is in English, so everybody can understand that because it is a show for everybody,” she says. “Whether you're a fan or not, it's really her incredible story that’s so captivating.”

Édith’s life was full of contradictions but never boring. From her childhood as a street urchin to helping POW’s escape during the war to becoming one of the biggest stars in the world.

“She was a real contrast of flaws and beauty,” Mandy says. “And unapologetically human, which is what I really like about her. She was a phoenix, rising above the ashes. There was nothing pretty about her life. It was really very tragic. But through all of that, she created these absolutely stunning songs and had a big, booming voice out of someone so small.”

Mandy first performed Piaf: The Legend in London’s Piccadilly Circus around seven years ago after funding its development by joining a paid clinical trial.

“I literally gave my blood for this show,” she laughs.

Since then she’s taken it all over the globe, leaving audiences spellbound and earning four and five-star reviews. Now she’s bringing that special French je ne sais quoi to the North Island. 

With dancers, a six-piece band that includes French accordion and clarinet and, of course, Mandy’s acclaimed vocals and performance leading the way the cabaret is all but guaranteed to transport you out of the regions and straight over to Paris. 

“I get quite emotional actually,” Mandy replies when asked how she feels while performing Édith’s passionate and powerful songs. “I really feed off the audience and I always cry. I always have that moment on stage where something really emotional happens and I feel the audience tense up. I do the same. It's a real energy and a beautiful thing. It's a really unique experience.” 

For more info, videos and tickets visit piafthelegend.com

Musical mind

Singer-songwriter Sophie-Maude credits her unique perspective with fuelling her creativity in music and in life.

Interview | Hayley Barnett

Sophie-Maude Turner is a surprisingly confident, self-assured, immensely talented musician. Surprising not only because she’s only just graduated school, but also due to the fact that she faces far more challenges than the average teenager. 

The 19-year-old BOP singer-songwriter has Tourette syndrome, attention deficit hyperactivity disorder, autism and obsessive compulsive disorder. But what might be seen as a barrier to others has become a source of inspiration and point of difference for Sophie-Maude, and she’s fast becoming a role model for young people across the country – something she never dreamed would happen just a few years ago. 

Earlier this year, she was given funding from NZOnAir to film her single "Comfortable" on the sands of Mount Maunganui main beach, and it quickly soared in the charts, making this local teen one to watch for 2023.

How would you describe your style of music?
My most recent releases have been a cross between Indie/synth pop. My style is constantly evolving. Since I'm still in my early days of being an artist, there are still so many exciting styles to try and play with until I find something that really reflects me. The whole process of writing lyrics and matching them with my ideas for music is part of my learning journey. Belting high, long notes is my real passion and my journey will be in that direction.

How did you get into singing and music?
When I was young, I had a habit of inviting myself up on to the stage at local events when there was a break in the entertainment. I liked going up to sing and just enjoyed performing. It was a way for me to connect to people – something I found difficult. Those random appearances resulted in an article in a local magazine which showed my picture, asking if anyone knew me! Luckily my mum saw the photo and I was then formally asked to appear the following year. That was my first real break.

How do you think the Bay has helped shape you?
Those first few appearances led to lots of opportunities to put myself out there. I have always been honest about how I function, how my brain is wired. It is really important for me to be me. No two performances will ever be the same because of that. It has meant that I have been able to give back to the communities that have helped make my life better, and living in a small town made this so much easier to do. There is a fantastic local music community too, with so much expertise and passion for what they do. Everybody knows everybody!

Who and what inspires you?
Musically I have so many to choose from but, local artist Georgia Lines, Riiki Reid and Benee are three Kiwis that really inspire me through their own journeys. Aussie artist Tash Palmer too. I also strive to be as vocally consistent as Christina Aguilera. Personally, I look up to anybody that isn’t afraid to give things a go, to follow their passions. Do what makes you happy.

You've talked about your struggles with Tourette syndrome, ADHD, Autism and OCD in the past. How has that affected your journey into music?
In some ways, it was my gateway into the industry, through my hyper-obsession with singing and my lack of filters when just rocking up on to a stage! But the struggles are all triggered by anxiety. The higher my anxiety, the higher my challenges from each of those things. This can affect simple functioning on a day-to-day basis. The most important thing for me as an artist is to recognise that and so my team and I have steps in place to keep my anxiety low. This means that a lot of the everyday elements of the industry are managed
for me. I have input and I have my jobs to do with reminders to keep on task. This allows me to focus on the creativity. I am hugely grateful to my whole support team, as I would not be in the position I am today without them.

How old were you when you released "Comfortable’? What is the meaning behind it and what was it like to create it on one of New Zealand's most famous beaches?
I had just turned 18 and it was my first experience of releasing with a video and through a PR company which certainly helps. The song is about being comfortable with yourself, accepting you for you and not having to change to fit in. The dancer is local Wes Graham and we have known each other for many years. We have both had personal journeys of accepting ourselves and so they were the first person that came to mind when we discussed doing a video. As well as being a talented dancer, we had a connection that enabled us to really feel the lyrics and musical journey together. Everyone that took part in the video has in some way been a part of my life, which was special in itself, and being on one of our beautiful beaches made it even better.

What are your plans for the future?
My last release, "Take Me Away", reached number one in the Hot New New Zealand Singles and so will be followed by my next release in early 2023. I have a busy time with live performances, which includes opening for Hollie Smith locally as well as singing on the stage for Auckland’s CocaCola Christmas in the Park. That will be followed with some local summer festival performances and then hopefully my first small taste of a tour with my own live show. We are working towards a plan that will see us maintain momentum in a steady way which will allow me to enjoy a successful long road of music. 

Listen to Sophie-Maude’s latest releases on Spotify and YouTube.

Georgia on my mind

With her emotional, original songs and powerful te reo Māori waiata,
singer-songwriter Georgia Lines is conquering the
New Zealand music industry.

words Sue Hoffart photos Graeme Murray

Having spent seven years striking at doors with her well-shod feet, piano-playing singer-songwriter Georgia Lines has finally entered the room.

Now, for the first time, the unquestionably talented Tauranga Moana artist has enough work to call herself a full-time music professional. She has clocked up more than 2 million streams for her singles – including a recent release in te reo Māori – as well as a self-titled 2020 extended play (EP) record. Her recent national tour comes on the back of other high-profile gigs at Auckland’s Eden Park, Spark Arena, The Civic, and New Plymouth’s Bowl of Brooklyn. Georgia has another EP tagged for release in late July, and is heading across the Tasman shortly, for a week of songwriting alongside other writers and producers. 

None of it has come easily. And she takes none of her recent successes for granted.

“I don’t know what’s going to happen next,” she says cheerfully. “We’re not in the clear yet, but I do feel excited now.”

In 2015, the then-18-year-old told UNO she was ready to face whatever highs and lows the notoriously difficult music industry might hurl her way. Instead of heading to university alongside her peers, the recently graduated Bethlehem College head girl was determined to be an independent artist. At the time, her debut single “Wannabe” had climbed to number six on New Zealand’s iTunes chart within one day. She was prepared to “go all in,” she said at the time. “Not put half a foot in the door, but kick it wide open.”

And boy has she kicked. And kicked. Against a global pandemic and multiple cancelled concerts and tours. Against isolation instead of audiences. Against financial uncertainty and the heartache of lost opportunities. 

When she speaks with UNO this time around, Georgia is finishing songs and making decisions over artwork for a new EP, while juggling interviews and wrapping up two tours. One is the much-delayed six-show, five-city Leave Behind music tour. The other is an annual road show that places inspiring New Zealanders in front of intermediate-aged children. This year’s National Young Leaders Day lineup included a bright young entrepreneur from Dunedin, the national Student Volunteer Army founder, an explorer who lost his leg in a volcanic eruption, and one determined 25-year-old singer.

She had no trouble relating to the resilience theme of this year’s leadership event, and has spoken with her young audiences about dealing with disappointment and online bullies, feelings of inadequacy, or being a people-loving extrovert during lockdown.

“COVID-19 has been really difficult,” the natural optimist admits. “There were many days I wanted to give up and throw in the towel. But my family and friends have kind of carried me through those really disappointing moments. 

“My first EP, in 2020, was released two days before lockdown. I had this big release party planned, even had the merch printed. And we had to pull the pin. That was the start of a string of events, of having to adapt and go okay, all right, we just have to carry on. Have a cry, let go of the emotion, feel what you feel, then pick yourself up and carry on.”

Music itself has also helped. Georgia’s single “Leave Behind” helped her deal with the sudden death of a beloved grandfather. The song addresses grief and the need to relinquish sentimental attachment to her Poppa’s possessions.

And how about those very few nasty online messages that come her way? 

“It’s easy to say words don’t affect me, but they do,” she admits. “No one likes to think they’re doing a bad job, and I’ll probably have to continue to deal with it. But are you going to take the one strange, sideways, negative comment or go, I’m really proud of what I’ve been doing and a bunch of people also think it’s awesome. And again, family have been really good at reminding me I’m really good at what I do, keep going.”

To combat the tough times, she aims to exercise regularly, eat well “80 percent of the time”, periodically switch off her phone, and check in with a psychologist as needed. There are near-daily chats with parents Andy and Sally Lines, who live rurally and own Urban Lounge Interiors. She also shares a tight bond with younger brother Mac, a drummer in her band. The all-important support crew now includes husband Nathan, the intermediate school teacher she shares a home with in Mount Maunganui. They do not, however, share equal wardrobe space; Georgia admits to hogging most of the storage with her shoe collection, fashion pieces, and vintage or op-shop finds.  The couple managed to wed before the pandemic struck, though COVID-19 stymied their honeymoon plans as well as her career aspirations. 

“As humans, we’re really good at adapting. As creatives, you have to be. I feel like I’ve become okay at riding the (uncertainty) wave. I also make a really intentional choice to think, ‘How can I enjoy this and not let the stress of the job weigh me down?’ When you release something, there’s a lot of work to do. A lot of deadlines, all the practical things. So it’s learning to love the process, the chaos.

“All I can do is give 100 percent to the opportunities in front of me, do a really good job of being a good wife, a good daughter, a good friend. And be really good at my job.”

For the last four years, Georgia has worked as a teacher to supplement her patchy performer’s income. She has offered students one-on-one piano and singing lessons, songwriting, and performance instruction, privately and through schools. 

This winter, for the first time, she is too busy to teach. Frankly, she isn’t sure how she managed to fit it in before now, between the rehearsals and songwriting and the hands-on decision-making that comes with being an independent artist. That includes being intimately involved in the production of her own highly stylised music videos, notable for her bold fashion choices as much as her songs.

“Me and my team do everything ourselves. I have my fingers in all the pies.

“I love it all. I love the visual side, too. Fashion is a natural extension of my personality. I’m drawn to colour and fun things. People often say to me, ‘I could never wear that!’ and I wonder if that is a compliment or not. But I don’t actually care. I can express my creativity through putting outfits together, and that feeds into photoshoots and videos. I get to work with amazing brands and borrow amazing clothes.”

An Auckland Museum show with members of the Auckland Philharmonic Orchestra called for a high-necked, full-length beaded gown. The release of her extraordinary, goosebump-inducing “Hine E Hine” single saw the singer clad in a bright yellow shirt, with a vast number of oversized hair clips marching down her dark tresses. In July last year, Georgia played a grand piano and sang that same piece at Auckland’s The Civic theatre for the Tuawāhine show that lined her up alongside Anika Moa, Tammy Neilson, Annie Crummer, and Paige.

The waiata choice dates back to her school choir days, though she revisited pronunciation and learned its true meaning in honour of the event.

“It was really, really special, celebrating Matariki and the power of wāhine toa. Everyone on stage was female, we had a full band, and I’m standing there thinking, how am I here, sharing the stage with these incredible women. 

“That was the start of singing in te reo. I felt really honoured to be asked, and I really wanted to take the care to honour the event. I thought, man, there’s something really special about this.”

Although the planned Tuawāhine tour was cancelled courtesy of COVID-19 restrictions, Georgia was subsequently shoulder-tapped to re-record one of her own songs in te reo Māori for the New Zealand music industry’s Waiata Anthems Week. She fell for the language even harder the second time around while transforming “My Love” into “Tōrere”. 

Working alongside “incredible” translator Hana Mereraiha, she was able to instil new layers of poetry and metaphor. 

“It almost feels that it has captured the meaning of the song in a way that the original didn’t. I am still in the baby stages of my te reo journey, but it has been an absolute privilege to learn, and I am really loving it.” 

In the meantime, fingers are crossed as summer shows start to line up and she dares to look ahead a little further.

While Georgia struggles to recall the exact detail of the dreams she chased as a teenager, she has no doubt her goals have shifted.

“It’s less of that ‘play a big show in a stadium in New York’. Though that would be nice. If we end up with kids, I want to still be loving what I’m doing, to be able to be a mum and do a good job of that, but also release music and play shows.

“In 10 years, what I’d love to be doing is writing music I’m really proud of.”

georgialinesmusic.com