Inner talent

Sarah Parry, the creative force behind Testament Interiors, shares her design principles, lets us in on the latest trends and explains how an interior designer’s expertise can lead to cost-effective solutions.

interview Hayley Barnett | photo Giselle Brosnahan | hair + make-up Michelle Olwagen

Interior design is one of those things we all think we can do, but realise quickly, in the throes of a project, just how difficult it really is. This is where pro designers come in. UNO is lucky enough to introduce our very own designer, Sarah Parry from Testament Interiors, who is here to answer all your pressing questions around interior design.

A passionate designer and right-sizing expert based in Tauranga, Sarah recently launched her business as a way to share her incredible creative skills, alongside her floor covering business with husband Jason. They have a blended family of four young adults, one grandchild, two fur babies and a pond of goldfish.

Here, she offers some helpful advice to those looking to overhaul their living spaces.

UNO: Where do we start when designing a new space?

Sarah: Working out your budget is really important to establish. Then, ask yourself who will live in the space. If it's your own home, that's different, for example, to an Airbnb or a rental. Once you know how much you have to spend and who the space is for, it’s time to decide what your design style is. It could be a combination of styles. Pinterest is ideal for this. The algorithms work out exactly what you like and you can file these away to look at for inspiration or to show your interior designer. From there, it’s best to start with your floors first and work your

way up to the walls, then lighting, then styling. Always sort your fundamentals before you dive into styling. It’s from this stage that I will sort a mood board for clients, to check we’re all on the same page, so that we can start organising a sample board.

You can incorporate aspects of trends into your project, but it’s important to keep in mind that trends can easily go out of fashion in as early as a year. You don’t want to spend money on big ticket items, only to regret the purchase a short time later. Go with something you're going to love for a long time. Incorporate trends in items that are easy to replace, such as throws or decor items. The last thing you want is to have a show home style that looks amazing but is completely impersonal.

Work out what’s important to you as a person, a couple or as a family. Choose the ideas that will work for you collectively in the living spaces.

UNO: What are some new trends in interior design for 2024 and how can I include elements of these in my home?

Sarah: Standout colours for 2024 include earthy greens, golds and natural shades. Minimalist is definitely out, and maximalist is in. Bright colours and patterns mixed together are making an entrance this year, which is not for everyone, but when done correctly it can really liven up your living space. The trick is to not make it too overpowering.

Another trend is the mixing of metals in fittings and fixtures, such as taps and handles. No longer is it all one colourway. You can mix brass with platinums and blacks, but it does take a bit of know-how to prevent it from looking tasteless.

Organic design is huge right now, and Japandi falls under this style. It's a lot of natural shapes and textures that are light, earthy and very calming, but not minimalist. It uses a combination of biophilic principles.

UNO: What is biophilic and sustainable design?

Sarah: Biophilic design principles are not new. They've been around for a long time. However, they are becoming increasingly important in helping us connect with nature and whenua, the land. Waiora, a core concept in Māori culture, connects people and the environment. When done well, it provides nourishment and energy to sustain our wellbeing. Biophilic design uses natural elements, whether that's plants or movement, into your interior space so that you have a connection between the earth and the land. It's one of my key concepts. I love plants and adding as many natural items into a house as possible, because it creates life.

Sustainable design uses products that are either sourced locally from natural materials within your environment, or manufactured from sustainable resources like recycled products or materials that are farmed in a sustainable way. So if it was a wood, for example, it would be from a sustainably grown tree that is renewable.

UNO: Why would I use an interior designer?

Sarah: By using an interior designer, the client has access to suppliers at commercial designer rates. So the cost of using a designer will offset the designer fees and you'll get far better value for money across the project. The bigger the project, the bigger the savings.

But the most common reason I get called in is to maintain a design cohesiveness across the project so that it flows.

And, of course, it's important for preventing costly mistakes such as choosing the wrong paint colour or fittings. It saves money all round!

testamentinteriors.co.nz

Building blocks

If you think concrete is mundane, you’ll need to think again. The Bay’s award-winning builders Gudsell Builders are redefining the artistic possibilities of this overlooked material to create their stunning, acclaimed homes.

words Karl Puschmann | photos Amanda Aitken

Concrete and nature don’t always live in harmony. But Matt Gudsell sees this material completely differently.

He sees the artistic potential and architectural possibility inherent in concrete. As he explains to UNO, his company Gudsell Builders views concrete as a reflective material that’s able to mirror, enhance and blend into the environment it’s used in. Just as long as you have the skills, experience and creativity necessary to do so.

Gudsell Builders has been working with and reimagining the artistic scope of concrete for over four years to award-winning effect. Just last year the company won the Registered Master Builders National House of the Year.

For an example of concrete’s possibilities, Matt highlights the understated elegance of their latest build on Matua’s tree-lined Beach Road. With its stunning waterfront views and sophisticated living, the home is a tranquil retreat from the hustle and bustle of everyday life. With its attention to detail, natural flow and spacious luxury there’s a calming mindfulness.

“The whole idea of this house was to make it look like a pōhutukawa tree because it's surrounded by them,” Matt says of the desirable property. “This house is all black concrete with a pink and red effect. We’ve aged it to get that ruggedness and create that look of bark on the tree. It’s very complex detail and a real showcase of the work that can be done using this system.”

The effect is striking. But like all things that look effortless, a lot of hard work was required to achieve the desirable result. Not only is it an advanced process, it’s also one that demands experimentation away from the site.

“To get this look we trialled different samples, from the materials used to create the pink and the red effect on the concrete to creating the ruggedness and mixed design of the concrete,” Matt says.

“It took us about five trials to get it right before we poured these walls on this house.”

Then he smiles and adds, “But that's the beauty of concrete. The world is your oyster. Whatever you want concrete to look like, we can do it.”

The results speak for themselves, and the many awards Gudsell Builders have collected over the years. Innovative thinking transforms an otherwise overlooked aspect of a build into a graceful and subtle design feature that reinforces the overall design aesthetic and mood of a home.

Returning to this Beach Road home, Matt’s idea was that it would feel like a batch - albeit a luxurious one - that blends in and complements the surrounding pōhutukawas and its seaside environment. This thoughtful design philosophy extends into the home’s interior which has been lovingly crafted in timber with an artisan’s eye for detail to create an ambience of warmth and refinement.

“In my mind, I couldn't be bothered building if I didn't care about the end finish of it,” Matt says. “It's going to be done right the first time, to the highest level of detail and to the highest standards.”

While concrete is not usually considered a glamorous material, Gudsell Builders is challenging that perception as people begin to get their heads around its architectural potential.

“I've got examples I can show people,” Matt laughs when asked if he’s had to sell people on the idea of using concrete as an artistic element of a build. “Once they see examples of what we can do, that convinces them to go ahead. But you have to show them.”

The other benefit of concrete is its unparalleled longevity and hassle-free maintenance.

“It's not going to rot or fall down. It's going to be there for a hundred years. That's what gives people who are looking to build a nice architectural home peace of mind. They’re not going to have to get up and stain the cedar every two years, it’s not going to twist. It's permanent.”

While the process Matt and his team of 15 use to create these desirable results is a trade secret, he does reveal that after experimenting to get the final look, the actual pour is relatively quick.

“We've invested in our own infrastructure. It makes the speed of construction a lot faster. We can also consult with engineers and offer advice on formwork placement and finishes for other builders' jobs,” he says, adding that builders can hire out Gudsell's specialist equipment.

With concrete, the sky really is the limit. He’s excited not only by the design possibilities but also by the thought of what ideas clients may bring to the table.

“If you think of anything that you want to do, it's only a matter of playing around with it and trialling stuff to be able to create that artistic effect,” he says.

Then he smiles and says, “If a client comes to us with some out-there design that they want on their concrete, it’s not a problem. We can do it.”

gudsellbuilders.co.nz

A higher plane

WORDS JENNY RUDD PHOTOS TRACIE HEASMAN

Having sound architectural credentials is a given when you've been in business for 21 years. Interviewing the two partners at DCA Architects in Rotorua, my ear is on the hunt for something which sets them apart from their peers. Darryl Church, founded the business in his garage in Rotorua after a bit of nagging from his wife 21 years ago. In 2016, Werner Naude, a South African with a German forename, a French surname and a refined brain, joined Darryl as partner. The pair have great professional chemistry. They look at each other and listen carefully when the other speaks. Early in the interview, Darryl said "I have practiced as an architect on my own as well as in a group. And there is no doubt that having more minds on a job means you come up with a better solution for the client. Especially if you've selected those minds carefully from the outset."

And that's what sets DCA apart from their peers. They are expert problem solvers. And that enables them to outperform a brief given to them by a client. 

Darryl explains, "We have six core values. These values were crystallised when we thought about the way we work. By analysing our most successful projects, a pattern emerged. We now use those core values to guide our employment choices, the way we work, and also drive success for our clients."

They are: Open ears and open minds. Design is in our DNA. Lifelong learners. Quality relationships. We see things differently. Design for the future.

I ask for some examples of how their core values appear in their work. Werner gestures to the wall behind us which is covered in technically brilliant photography, a visual CV of recent work. There are some immediately recognisable buildings in the Bay: Green Park School in Greerton, new apartments on Pilot Bay, Golden Sands Primary School, the Toi Ohomai Institute in Rotorua. And some beautiful, luminescent cylinders of light in amongst trees. The toilets in the Redwoods, Rotorua. It's not often you are able to comment favourably on public loos. But it's worth drinking plenty of water as you walk through the woods so that you have good reason to check them out.

REDWOODS TOILETS, ROTORUA

Darryl: Our client - Rotorua Lakes Council - was willing to take a design journey with us and rise above the mundane. It would have been far easier to build another concrete block of toilets. But as we went through the process, we realised we would have an even better outcome if we collaborated with an artist. Our client was receptive to the idea. Collaborating with the screen artist, Kereama Taepa, brought a special narrative to the project which captures the spirit of The Redwoods forest with the designs laser cut onto the corten steel cylinders. The toilets are now a contemporary piece of art, sensitive to their environment and the people of Rotorua. 

TOI OHOMAI CENTRE OF NURSING, HEALTH AND SCIENCE, ROTORUA

Werner: Part of our brief for this project included a 200 seat, tiered lecture theatre and auditorium. During a full review of their facilities, we saw there were already two theatres like this, and they were underutilised. We knew they were having art exhibitions that year, and fashion shows which would need a catwalk. So, we suggested a flat floor lecture theatre space which had so much more flexibility, and could still be used as a lecture theatre. Similarly, we were briefed to provide six nursing wards for training purposes. Once we started researching, we realised that the health system is moving away from ward setups. We decided to pull back, not wanting to build something which would be outdated soon. We were able to buy back floor area to provide more space for socialising. Other than an old cafeteria, there was nowhere for students to stay on campus and hang out, socialise and study.