The Olympians of UNO: a look back at the stories from some of our local sporting heroes
We take a look back at some of our local sporting heroes that have graced UNO, and are currently involved in the Tokyo 2020 Olympic Games.
Sarah Hirini (neé Goss)
Sarah Hirini (Goss) carried the flag for New Zealand in the Tokyo 2020 Olympics opening ceremony and is playing in our women’s sevens rugby team but back in 2017 she was on the cover of UNO Magazine.
“It meant I was able to play whatever sport I wanted without my parents having to drive me around everywhere. It was all just there”. Gymnastics and netball transitioned into competitive hockey, and ultimately rugby in her final year at school. At the time, Sarah’s coach had recommended taking up rugby to help improve her fitness for hockey but she soon found the full contact and competitiveness of 15-aside rugby much more stimulating than hockey and as a result, traded her hockey stick for a pair of rugby boots. However, it was not a completely smooth transition into her newfound passion.
“I hid it from my parents for about three months, thinking they were going to tell me off for playing rugby. I felt like back then, there wasn’t much support for women’s rugby despite my family being massive rugby supporters.” But once Sarah decided to tell her parents of her new secret love, they were only disappointed they had missed watching her games and according to Sarah, “they’ve watched me ever since. I remember telling my parents back in the seventh form when they asked what I was going to do the following year and I remember saying I’m going to become a professional rugby player and back then they kind of laughed, but I am someone who will just go after it and I will do everything I can to prove people wrong. I’m stubborn, and it ended up happening.”
Read the full story on Sarah’s rise within rugby.
Peter Burling
Peter Burling has reached incredible heights since his cover story in UNO in spring 2017 and is currently sailing in Tokyo.
“At the Olympic level,” he says, “a lot of it is just a seat-of-your-pants kind of thing, because today you have a single platform that you can’t really change or improve.”
This is, after all, essentially a one-design race and everyone uses virtually identical equipment, so – as Burling says – “It’s a question of how you set it up and how well you can sail it!” But in something like the America’s Cup it’s different; the variables are almost infinite and change – literally – by the hour. And in that fast moving, high-tech environment, knowledge is power.
“I’ve always really liked the engineering side of sailing,” he says, “ever since I was a little kid and making things and trying things on the boats. I’ve always been quite pedantic on having a really clean and well-thought- out boat, not having anything on there that doesn’t need to be there, and having it all neat and tidy.”
Matt Scorringe
The New Zealand Olympic surfing team’s head coach graced the cover of UNO back in summer 2020.
One of the drivers of that change has been the acceptance of surfing as an Olympic sport. “Surfing,” says Matt, “particularly in New Zealand, is still seen differently to other major sports – and the Olympics will change that. It will mean we start to take things seriously and start working towards finding the best path for our athletes at Olympic level. I’ve talked with friends in snowboarding and other sports that have recently been made Olympic sports and they all say it takes time. It’s like the chicken and the egg – you need funding to get results, you need results to get funding – but it’s great to see that we’re off to a really good start with two athletes going to Tokyo.”
Matt’s role in preparing those Olympic contenders has been as head coach of the development pathways programme he helped put together to get our surfers up to Olympic qualifying level, and he’s more than happy with the results. “We’ve now got two athletes qualified for the 2020 Olympics – Billy Simon from Raglan and Ella Williams from Whangamata – who both came through that programme. Now we just need to get some more structures and mechanisms in place to support them and the sport. At that level, you don’t spend a lot of time at home; you’re travelling all the time, so you need coaches, nutritionists and all the support required on different continents. Part of what I’m doing is not just bringing my knowledge but the connections and contacts to make it easier.”
Sarah Cowley Ross
Our most recent cover star, Olympic and Commonwealth Games heptathlete Sarah Cowley Ross is currently a huge presence in media coverage of the Games.
Sarah says her ultimate high was when she qualified for the Olympics in Götzis, Austria. “I knew I was in good shape, but a really significant moment was in the high jump when I jumped 191; at the time my best had been 184. I was really free. For a long time, I’d put a handbrake on my life, and for the five years previous I hadn’t improved in the way I wanted to.
A year before, I probably wanted to quit, but I managed to turn it around, and in that high jump I finally unleashed what I was physically capable of. It was one of the purest moments of my life.”
Diving into the art of surfing after life-altering illness
Matt Scorringe first set foot on a surfboard at the age of two and has been catching waves since he was five. Now, he’s making waves, after a life-altering health battle gave him the impetus to pursue surfing in a way that’s changing the ambition and success of surfers throughout New Zealand.
PHOTOS Salina Galvan
Matt Scorringe first set foot on a surfboard at the age of two and has been catching waves since he was five. Now, he’s making waves, after a life-altering health battle gave him the impetus to pursue surfing in a way that’s changing the ambition and success of surfers throughout New Zealand.
Growing up in Whangamata, it was bound to happen. After Matt Scorringe’s parents moved from Hamilton and took over the family bach in what he affectionately calls ‘Whangas’, the beachfront location had an immediate effect.
“I was probably first on a board when I was about two years old,” Matt says. “My brother surfed and growing up where surfing has such a rich history meant we had boards in the garage. I think I was about five when I took a foam board from the garage and first started catching waves. Whenever mum wasn’t looking, I’d be up to my waist in the water.”
Fortunately, Matt’s mother usually was looking, as she could watch the young surfer from her kitchen window to make sure he didn’t drown. And when not up to his waist in water, Matt worked at the family gas station to save money for boards. Kiwi childhoods don’t get much more classic than that, and so it was pretty much inevitable that surfing was going to be in Matt’s future.
“There were these iconic surfers like ‘Taff’ Kenning, Bob Davies, and Pete Mitchell around there,” Matt says, “and, though, at the time they weren’t called pro-surfers, they were real innovators of the sport in New Zealand. Growing up in that environment – a beach town with three surf shops and what seemed like just 500 people, with the culture and the waves – it had a real effect. There was just no other road for me.”
By age 14, that road had taken Matt to Bali where he represented New Zealand at the International Surfing Association World Junior Titles, a feat he repeated until the age of 20 when Billabong came knocking on his door with a sponsorship offer. He moved to Australia at 17 to be closer to the competition circuit and, soon after, teamed up with pro surfer Joshua Kerr, a friendship that would later see the pair travel the world together, living the dream: surfing, and getting paid to do it.
But all that changed in 2009. “I got home from a tour in Hawaii,” recalls Matt, “and eight days later I was having chemotherapy. I thought I’d just been burning the candle at both ends a bit too much, and maybe had a bit of a hangover, but the turning point was when I woke up and my whole body was covered in a rash and I was getting blood noses.” A quick trip to the doctor followed and the assessment was earth-shattering: acute myeloid leukaemia.
“There was really no time to process it or make decisions on it. Fortunately, I responded to treatment, but it took eight months of intense chemo. The initial stage is a bit of a blur to me – it’s one of those parts of your life that you tend to block out a bit. It was a pretty crazy experience and I really had a moment but, once I got to the hospital, that changed. I’ve always been very competitive, so once I was at the hospital, I thought, ‘Well, this is another challenge and I’m going to smash this thing and win it.’ I set a goal of being back and competing in the New Zealand nationals the next year – and, though I still looked like a cancer patient when I got there, it was a stepping stone for my journey back.”
“I’ve always been very competitive, so once I was at the hospital, I thought, ‘Well, this is another challenge and I’m going to smash this thing and win it.”
It was also a turning point. Like many people suddenly faced with their own mortality and months of medical treatment, Matt did a lot of thinking.
“When life comes at you like that, you re-evaluate everything,” he says. “Even though I’d recovered, I thought that my chance to be a surfer was gone and that I’d have to do what everyone else was doing: find work somewhere in the surf industry, move to Auckland, drive the traffic, be a nine-to-fiver. But, a year after my cancer, my partner and I moved to Bali for six months and we decided to try and get some priorities sorted.”
One of those priorities was pursuing his love of surfing in a way that gave back to the sport he loved. His years on the competition circuit had been great and he’d learnt a huge amount about surfing, but he’d also learnt a lot about how many competitors were still not giving it 100%; the accepted mentality was that, to be a good surfer, you just surfed. And things like nutrition, structured coaching and training programmes were for nerds.
“The reason I started the Art of Surfing was that I realised too late that there are so many components to it. Being on tour meant I saw what those top-level surfers were doing, and I got to be in the locker rooms with Kelly Slater and the world champions and see what they were doing, what equipment they were using, and how they were being coached.”
“The big turn-around came after Mick Fanning got injured,” Matt says referring to the champion Australian surfer known as White Lightning. “He was the first surfer to take training and nutrition and all that high-end stuff seriously, as part of his road back. He came back to win the world title. And then the chase was on – it was a whole new world of professionalism, while back here in New Zealand we still thought that, to get better, you just surfed more.”
Embracing a whole new world of professionalism is Matt created Art of Surfing for but, when he initially pitched to the powers that be, the reception was not quite what he expected. Surfing – not just in New Zealand but worldwide – was in transition. The surfing boom was in decline, the global financial crisis was hitting hard and streetwear was taking over from surfwear. So, while the organisation Matt approached liked his idea, they were looking to downsize rather than take on new ventures.
“Looking back now, it was perfect for me, because it made me realise I was going to have to do it all on my own. I’d looked around and there was no one else doing what I wanted to do – and to this day, nearly ten years later, I’m probably still the only one doing what I’m doing.”
Matt – like most surfers of his generation – was self-taught, and he had, in fact, turned down the opportunity to be tutored by ‘the godfather of technical coaching’, Martin Dunn, largely because he felt surfers had to be self-taught, with the raw talent being shaped by some inner Zen. He now sees the error of that and wishes he’d had a mentor and teacher – but, he realised, that if he never had one, he could at least be there for the next generation.
“I came home with all the knowledge I’d picked up and, after recovering, I sincerely wanted to use that to help our surfers do better,” Matt says. “I’d been in competitions where we’d come up just short, and I knew that if we just tweaked what we were doing, Kiwis could be on the next level. I still see a bit of the pushback against coaching but its changed a lot. When I started, there were a lot of people who wanted to come and train, but didn’t want to be seen coming to train! There was this mentality that getting trained in surfing wasn’t cool. People wanted to go out to Papamoa to do it, so they wouldn’t be seen. That’s changed completely now.”
One of the drivers of that change has been the acceptance of surfing as an Olympic sport. “Surfing,” says Matt, “particularly in New Zealand, is still seen differently to other major sports – and the Olympics will change that. It will mean we start to take things seriously and start working towards finding the best path for our athletes at Olympic level. I’ve talked with friends in snowboarding and other sports that have recently been made Olympic sports and they all say it takes time. It’s like the chicken and the egg – you need funding to get results, you need results to get funding – but it’s great to see that we’re off to a really good start with two athletes going to Tokyo.”
Matt’s role in preparing those Olympic contenders has been as head coach of the development pathways programme he helped put together to get our surfers up to Olympic qualifying level, and he’s more than happy with the results. “We’ve now got two athletes qualified for the 2020 Olympics – Billy Simon from Raglan and Ella Williams from Whangamata – who both came through that programme. Now we just need to get some more structures and mechanisms in place to support them and the sport. At that level, you don’t spend a lot of time at home; you’re travelling all the time, so you need coaches, nutritionists and all the support required on different continents. Part of what I’m doing is not just bringing my knowledge but the connections and contacts to make it easier.”
Olympic-level mechanisms have been in place in Australian surfing for some time, only on a much bigger scale. While Matt might be envious of their resources, he’s not sure it’s what we need here in New Zealand. “I think they’re getting silver spoon-fed over there and I don’t think it’s producing the grit and determination that’s needed in the sport. There are competitors from other countries where their families depend on their success and they’ve got all the fight in the world that money can’t buy. Hard work beats talent nine times out of ten, and our biggest issue as Kiwi surfers is that we’re laidback Kiwis! We don’t have the dog-eat-dog mentality we need ... so I want to focus on making a kick-ass programme for our surfers. We are world-renowned for sports and I want to play a part in making surfing one of those sports.”
And as though helping shape a whole new generation of surfers and raising our standouts to a whole new level isn’t enough, Matt is also upping the game for non-professional surfers here in New Zealand, from his base in Mount Maunganui.
“Moving to the Mount was the best decision I ever made,” Matt says, “on all levels. It’s not really known for consistent surf here, but the way it’s become a hotspot and the way surfing and the beach lifestyle has grown is great. The amount of kids coming through at development level is fantastic; we’ve gone from one squad a week to five, and it’s still growing. My business is completely built off word of mouth, and you can see there is now a real hunger for coaching and teaching that is great for the sport long-term.”
A man with so much on his plate can’t be everywhere at once, unfortunately – but, ever the problem solver, Matt has a plan. “I want to go to every region, I want to help every grassroots surfer everywhere. So I’ve really turned my focus to the online side of the Art of Surfing, and people out there want it. I’ve developed a library of online content for people who want to learn how to surf, from beginners through to elite. And we’re going to take this global. We’re known as the go-to in New Zealand and we’re confident people will come along for the ride, but the potential in places like America is really where we could see growth. It’s been a three-year project but, in the last six months, it has really come together.”
With all this going on, does Matt Scorringe still find time outside of coaching, teaching, developing online content, and mentoring Olympic surfers for the thing that got him on this path back in ‘Whangas’?
“Oh yeah, of course,” he says. “Surfing’s the one thing that keeps everything else at bay!”