Rolling with it

The first woman to represent Aotearoa on the international skateboarding scene is throwing her support behind a skateboard collection that will be part of the permanent exhibition at Tauranga Museum opening in 2028. 

words DEBBIE GRIFFITHS | photos CRAIG BROWN

Georgina Matthews started skateboarding around her home in Ōtūmoetai at the age of 13. A year later, she won a national competition and then placed second at an international in Melbourne where she caught the attention of sponsors. 

“I was skateboarding and travelling the world from when I was 16 until my 20s,” she says. “I got to skate against the world’s best like Elissa Steamer and I met Tony Hawk a few times. In 2006, I was ranked ninth in the world. They were fun times.”

Skateboarding fits hand in hand with the Bay’s surf culture. In fact, it was the acquisition of an iconic collection of classic Kiwi surfboards and memorabilia from Tauranga businessman Dusty Waddell, along with around 40 of his vintage skateboards, that enabled museum curator Fiona Kean to create the exhibit. 

“The Waddell collection came with a skateboard made by ‘Cahoot’ which was a Mount Maunganui brand made in the 1970s. They pioneered the use of urethane wheels,” she says. “In researching the skateboard collection and also with the opening of the Destination Skatepark, one of the things that struck me is that there’s a story to tell here in Tauranga. Georgina fits so beautifully into that. She reached the top level and she grew up right here in the Bay.”

“Tauranga’s skateparks are amazing,” says Georgina, reminiscing about cheese grater ramps, splinters and rails so hot they burned. “We’ve come a long way from the old skatepark at 17th Avenue by Historic Village. It’s 100 percent easier for kids to get into. I love seeing them at parks that have entry level ramps and easy progressions.” 

It’s the next generation of skateboarders who were targeted in a recent competition to ‘design a deck’. Out of more than 260 entries, Georgina picked two winners – aged 9 and 13 – who had their images put onto boards. 

“The first design reminded me of how important cultural representation was for me on a global stage. My iwi is Ngāpuhi and I’m very proud to be from New Zealand. When I was competing, sometimes I’d wear a Māori band or a Tino t-shirt. I felt that this design was a beautiful reflection of our country and culture, and I loved the composition of the Tino Rangatiratanga flag, koru, and ferns contrasting. I could picture this being a cool board for a kiwi athlete in the Olympics someday. It’s what I would choose.”

Georgina loved the vibrant colours, fun characters and creative use of the whole board of the second winning design.

“I imagine that would be a really popular pick in skate stores,” she says. “We hope we’ve inspired the kids in some way – to try skateboarding or maybe graphic design,” says Fiona. “You never know what’s going to spark someone’s future passion. Museums are here to enrich our communities and to make people feel that they belong and are part of something bigger. A sense of collective place.”

“I’m very honoured and grateful to be involved in Tauranga Museum and that kids will be able to see more than what’s on YouTube,” says Georgina. “They’ll have an understanding of the history and the evolution of the sport.”

Fiona has been working with the museum collection for nearly 20 years and remains passionate and excited by it.

“We’ve got a history of Tauranga to tell from the 1400s to beyond today. Our plan is that we’re not picking a point in the past and saying ‘we’re doing up to here’; we’re creating contemporary stories so we can show local innovators, diversity and fresh stories and events.”

“It starts with talking with the community and our conversation about the new museum has been a long one,” Fiona continues. “It’s not a one-way conversation. There have been consultations and discussions over the last thirty years but over time you can see the trends coming through and the objects that support the stories we’re being told. Sometimes it’s just magic, like getting the opportunity to purchase the Waddell collection of surfboards and that it came with the wonderful bonus of the skateboards which will now allow us to tell that story as well.”

Today, 37-year-old Georgina still gets on her board and is looking forward to skating and sunbathing through the summer. 

“For me skateboarding is amazing for mental health,” she says. “You’re your own boss, you don’t have to skateboard at a certain time or in a certain place. It’s an indescribably beautiful feeling of freedom. I still love it like I did when I was 13. I’ll be skating until I can’t.” 

taurangaheritagecollection.co.nz

Surf’s up!

One of Tauranga Museum’s first exhibitions will celebrate the region’s pivotal role in Aotearoa’s surfing culture.

words Karl Puschmann

boards Dusty Waddell Collection

Mount Maunganui is world-famous in New Zealand for its rolling surf and golden sands. Each summer people flock to the beaches to hang ten or catch rays. But, outside the surfing community, not a lot of folks know about the region’s rich history and contribution to Aotearoa’s surfing culture.

That’s all about to change. The Tauranga Museum team is hard at work putting together one of the first exhibitions to go on display when the long-awaited new museum opens its doors in 2028.

“The exhibition on surf and beach culture will be one of our earlier exhibitions on display when we open,” museum curator Fiona Kean enthuses.

It will certainly be hard to miss. Following the museum’s acquisition of local surfing icon Dusty Waddell’s legendary surfboard collection, the museum is already preparing 120 surfboards for display. These all hold national significance and physically chart the evolution of surfing in New Zealand.

“There’s shortboards and longboards, and in addition to those there’s boogie boards, belly boards, skim boards… there's probably another 50 of those,” Kean says. “We’ve even got 40 skateboards. We've had to create a special space at our storage facility for it all.”

Through the various shapes and sizes of the surfboards, you’ll see trends come and go as you progress through the years. It will also highlight beach culture with displays of fabulous local swimwear, wetsuits and ephemera like surf posters. We have an amazing hollow board that is over four metres long. It was made at the Mount in 1952 by Ron White and Jock Carson using the famous Tom Blake design. Kean is also in discussions with a local shaper who makes surfboards from – of all things – wool.

“It’s an exciting idea because most surfers are really interested in their environment and in cleaning up and preserving the water they swim in,” Kean says. “Surfboards in the past have been made of foam and more toxic materials, so innovations like that look at how surfing can be more environmentally friendly.”

While we all recognise the region for its good surfing, its epic contributions to the sport aren’t as well known. Surfing and surfboard manufacturing in Tauranga goes all the way back to the early 20th century. Through her research, Kean discovered there were, in fact, two surfboard makers here in the 1930s making, selling and hiring their boards out to summer beachgoers in that era.

Once established here, surfing never left. In the 1940s and ‘50s more shapers arrived and the era of plywood boards began.

“Plywood is an important story for Tauranga,” Kean says. “That takes you down a whole other rabbit warren of the people making hollow surfboards out of plywood. And then you have the leap into foam-core or surfboards made with foam blanks. You've got probably one of the biggest names in surfboard making, a man called Bob Davies, who comes to Tauranga and sets up a factory here, and at the same time another local guy, Ted Davidson, owns a sports shop on Cameron Road and he starts making surfboards out of that shop.

From there, it’s honestly like a wave of shapers and makers around the country flowing in and out of each other’s lives and businesses and the Mount and Tauranga were an important part of that scene.”

It’s fascinating to hear her talk about how huge Tauranga’s impact on New Zealand surfing actually was. It will be even more fascinating to see it. Surfboards are big items, especially the older longboards, which on average stand at a towering 12 feet tall. The scale of the exhibition is going to be awesome.

Kean is excited about the project and can’t wait to share everything being discovered about Tauranga’s rich surfing history when the museum opens.

“We want people to have a greater understanding of surf and beach culture and its significance to where they live. We’re a really important piece of that overall surf culture puzzle. For example, the first surfing nationals were held at Mount Maunganui in 1963,” she says. “The museum hopes to give people a sense of belonging to this place. I’d love for locals to feel pride in our role in the surf industry and to come away with a sense of enjoyment. It will be a fun exhibition but one that does have moments for reflection and moments where you’ll feel challenged.”

For those who simply can’t wait until 2028 to see what’s barreling down the pipeline, Kean reveals how you can get a sneak peek at the surfboards and, essentially, the Bay’s surfing history on Tauranga Museum’s website.

Kean says the exhibition will appeal to non-surfers just as much as those who like to hit the waves, as the experience the museum team is curating showcases not just surfing but wider beach culture.

With a few more years of prep work, research and collaboration with the community before it opens, Kean has a very simple objective for the exhibition in mind.

“We want it to blow people away,” she laughs.

letstalk.tauranga.govt.nz/projects/tauranga-museum