Safe harbour haven
This unique piece of paradise on Tauranga Harbour presents a legacy of idyllic living that’s as quintessentially Aotearoa as it is rich in heritage and grace.
This unique piece of paradise on Tauranga Harbour presents a legacy of idyllic living that’s as quintessentially Aotearoa as it is rich in heritage and grace.
WORDS Jo Ferris
While debate continues about the America’s Cup being defended on the other side of the world, there is no denying this sailing spectacle draws spectators into its magic once racing commences. There is also no better time to focus on nautical magic of another kind – one enriched with its own history in a quiet haven by Tauranga Harbour; and defending a different tradition with similar admiration.
In an ironic twist, it was thanks to a European businessman, nearly a quarter of a century ago, who cast his eyes to this side of the world. Recognising the extraordinary beauty of Tauranga Harbour, with its inlets
and idyllic locations, he developed a characteristic homestead. Nestled in a secluded waterfront spot – complete with an approved geothermal bore – this property has transcended the passage of time. It has retained its heritage while being expanded and modernised over the years into a property of significance.
Immersed within the privacy of native trees, bush and birdsong, views command arguably the most intimate and certainly romantic scenery a harbour could offer. The sprawling residence bathes in all its beauty
– the original homestead, plus a separate yet connecting wing; designed and finished in keeping with the character of its parent. The nautical theme dominates the essence that instils a spellbinding aura in every
aspect of life here. It blends English heritage with American tradition.
Far from being in competition for the honour of victory, however, it is a marriage of perfection; caretakers of an idyllic sanctuary destined to be passed on to future generations.
The homestead follows colonial lines – fully wrapped in verandah extensions that shelter wicker-chair settings to gaze across the harbour scenery. Extending out to sun-drenched decking, this area meets the guest house for evening gatherings around the fire. Steps from here lead down to a lawn ribbon, before weaving through the bush to the waterfront below.
There are four bedrooms in the main wing of the home. The ensuite master and one other bedroom gaze across the harbour; both opening to the verandah. Remaining bedrooms open to the rear verandah and out to the swimming pool. Spacious, open-plan living is entertainment central – a gourmet kitchen, dining and lounge offering access points either side of the wrap-around verandah. This handshake with the guest quarters extends the entertainment value for those grand occasions with family and friends.
However, privacy is also assured for guests with two more bedrooms, a
large open-plan living space supported by a kitchenette, a bathroom and laundry, while a second shower room provides direct access to and from the pool. A generous rumpus lounge in this wing is another meeting point for both homes, while also offering various options. It could be a games’ room for teens, a gym, a workplace – or an intimate venue for small functions.
A private geothermal bore fuels a central heating system via a state-of-the-art heat exchanger, together with areas of hydronic underfloor heating. The pool is year-round enjoyment also, benefitting from the same system. Space is something this property isn’t short of. Budget has never been an issue with its journey through time. While housing the best that money can buy, it has maintained that rare quality of presence in a humble, understated way. True wealth doesn’t flaunt itself. It assumes privilege with grace.
Plummers Point Road is envied for its place within Tauranga Harbour and the properties that share the lifestyle. This property, however, claims that rare distinction that only time brings to the narrative. History brings the heritage of yesterday, while today’s approach can preserve it for future generations.
266C Plummers Point Road
A day of empowerment
This year’s Tauranga Business Chamber BWN Speaker Series was a dynamic gathering of inspirational women who really brought their A game.
This year’s Tauranga Business Chamber BWN Speaker Series was a dynamic gathering of inspirational women who really brought their A game.
PHOTOS Salina Galvan
Chelsea Winter.
There’s something about a room full of talented, like-minded women that can only be described as electric. This past May, Baycourt Theatre was charged with that very energy as nearly 400 attendees gathered for the Business Women’s Network (BWN) Speaker Series, themed ‘Bring Your A Game’.
This year’s event didn’t just meet expectations – it shattered them. From the moment the first speaker took the stage, it was clear that this was no ordinary day of networking and presentations. It was a day of genuine connection, raw honesty, and, above all, empowerment.
Each speaker brought her unique perspective and expertise, touching on topics that resonate deeply with women at every stage of life and career. Niki Bezzant opened up the conversation on menopause with a refreshing candour, providing invaluable insights that were both relatable and practical. Kylie Wilson didn’t just talk about resilience; she had the audience on their feet, proving that mental toughness is just as crucial as physical strength. Chelsea Winter, a beloved figure in the New Zealand culinary world, shared her journey from home cook to national icon, offering a blend of humour and hard-earned wisdom.
But it wasn’t just the speakers who made the day unforgettable. The event’s success was also thanks to the support of its sponsors: Principal sponsors, Craigs Investment Partners and Cooney Lees Morgan, as well as Premier sponsors, YRW, KingSt, and Mediaworks. Partner sponsors, including Port of Tauranga, Kale Print, Pillar Consulting, Westpac, and Toi Ohomai, played a crucial role in ensuring the day was one for the books.
As the day came to a close, attendees were ready to bring their A game
to every aspect of their lives. The anticipation for next year’s event is already building, promising another chapter of inspiration, growth and connection.
Beyond the gold rush
As the dust settles on her Paris triumph, Ōhope’s Dame Lisa Carrington contemplates her next chapter. The kayaking legend shares her post-Olympic reflections and the unexpected joys of an unscheduled life.
As the dust settles on her Paris triumph, Ōhope’s Dame Lisa Carrington contemplates her next chapter. The kayaking legend shares her post-Olympic reflections and the unexpected joys of an unscheduled life.
WORDS Karl Puschmann | ART DIRECTOR Annabelle Rose | PHOTOGRAPHY Garth Badger
PHOTOGRAPHY ASSISTANT Melissa Brinsden | STYLIST Nicky Adams
HAIR+MAKE-UP Desiree Osterman
Half an hour into UNO’s chat with Dame Lisa Carrington she makes a dramatic and quite unexpected admission.
We’d been talking about her phenomenal success in kayaking. Not just at the recent Paris Olympics where she claimed an awe-inspiring hat trick of gold medals in the K4 500m, K2 500m and K1 500m kayaking events – astoundingly being the second time she’s accomplished the miraculous feat of claiming three golds – but also how she got started in the sport she now thoroughly dominates.
After three consecutive Olympic Games, a total of eight gold medals, numerous records and the national honour of a Damehood for ‘Outstanding Services to Canoe Racing,’ it’s easy to imagine she was born with a paddle in her hand and had a kayak as a cot.
This couldn’t be further from the truth.
“Kayaking was really just a supplement to surf lifesaving,” she admits with a grin. “But I was fairly good, so I kept at it.”
Lisa didn’t come to kayaking until her teenage years. It’s crazy to think that had the elite athlete, now 35, been fractionally better at her beloved sport of surf lifesaving, her life, Aotearoa’s sporting history and the Olympic record books would all look vastly different.
Maybe she would have smashed it in surf lifesaving the same way she dominates kayaking.
She laughs at the idea. “I wasn’t going to make it to the national teams or anything like that,” she says.
Aside from the bleary-eyed die-hards, Aotearoa awoke on August 11th to the huge news from Paris that Lisa had achieved the impossible; a second successive hat trick of Olympic gold medals following a masterclass performance in the final of the K1 500m.
As the defending champion, she went into the race the favourite, but gold was not a sure thing. Her great rival, fellow Kiwi Aimee Fisher, was marked as a potential upsetter.
So it made for alarming viewing for Kiwis who’d stayed up late to cheer New Zealand on when Hungary’s Tamara Csipes shot off like a rocket at the starting gun. At the halfway mark Lisa was trailing by half-a-boat length, which is massive, and Fisher was stuck fighting for position in the middle of the pack.
If Lisa was as worried as the Kiwi supporters watching on, it didn’t show. The camera frequently zoomed in on Lisa and she looked cool, calm and collected. It did not look at all like she was straining to kickstart any dormant energy reserves. Nor did she look rushed. It didn’t even look like she’d cracked a sweat.
Instead, her movements were fluid and hypnotic, as she smoothly glided up to catch Csipes, pass Csipes and then leave Csipes in her dust. Lisa crossed the finish line with no one else in sight and her famous beaming smile radiating pure joy. “Carrington, simply unbeatable!” raved the television commentator. “The GOAT [Greatest Of All Time] just keeps getting greater,” Radio New Zealand gushed. “A sporting immortal,” enthused the New Zealand Herald. “Yessss!” cheered Poppy, my nine-year-old daughter, when we watched the early-morning highlights.
It was Lisa’s final event of the Paris Olympics. She’d already led the K2 and K4 teams to gold but hadn’t been able to join in the post-race celebrations because her focus needed to remain on her upcoming solo K1 race.
“I could finally take it in, be proud and not be preparing for the next thing because there was no more to prepare for,” she says of the moment she crossed the finish line. “It was cool to be able to embrace my teammates and my coach and my family and let it all sink in. I felt amazement and pride that we as a team had won all three events that we’d challenged ourselves to achieve.”
That was the glorious end. But how did she feel, on the water, at the starting line?
“Part of competing at the Olympics is managing pressure and expectation,” she says.
The way she does this is to question herself. As she explains, gold medals and glory are not what’s powering her outstanding career.
“It’s really understanding the balance of what I’m doing it for. Is it just to win? Just to cross the line first?” she says in a way that makes clear the answer to those two questions is a simple ‘no’.
“Or is it because of all these other things that are important to me? I want to be able to cross the line and whether I’m first or last, be really proud of the performance.”
It turns out that the stress of defending your title against the world’s best, at the world’s premium competition, with the whole world watching, is only half of it.
“Pressure also comes from the expectation of thinking you need to win. Thinking that if you don’t win, you’re nothing. What will people think if you don’t perform? I can’t attach my identity to thinking that I’m a winner and if I don’t win then I’m not myself anymore.”
“There’s a lot of awareness and self-awareness around what those medals mean,” she says quietly, before adding. “It’s also about keeping your ego in check.”
Which is another surprising admission. Chatting with Lisa is like talking to an old mate. She’s incredibly friendly, quick to smile and down to earth. And when it comes to discussing her astounding accomplishments she’s almost ego-less, talking of them in a matter-of-fact fashion rather than the awesome achievements they are.
Still, it must be hard to not believe the hype, especially when you’re routinely called the ‘Queen of Kayak’ and have people falling over themselves to congratulate you − this writer no exception having greeted her with a proudly patriotic congratulation.
“It definitely is,” Lisa admits. “It’s about humility. Just because I’ve achieved something doesn’t mean I’m better than anyone else.”
Then, an example springs to mind.
“If I’m lining up in a queue, and I’m hundredth in line, just because I have medals doesn’t mean I get to jump the queue,” she laughs. “Your medal doesn’t define you. It doesn’t make you a better person than anyone else. You don’t have to be a great person to win an Olympic gold medal. You could be a terrible person and win a medal.”
Lisa’s house may now be north of the Bombay Hills, having relocated to Auckland years ago for training, but her home remains in Ōhope, the picturesque beach town that’s just a smidge east of Whakatāne. She, her husband Michael ‘Bucky’ Buck and Colin, their pet cavoodle, regularly pop down to see family and friends. They headed there after her triumphant return from Paris.
“It’s a beautiful place to be,” she smiles. “I reckon this summer I’ll be able to spend a bit more time there.”
It was Ōhope’s endless beach that Lisa credits for birthing her love of the ocean, as she recalls a childhood full of adventure playing with friends on the golden sands and playing in its rolling waves.
“We lived right on the water, right on the beach there. That’s where my affinity for the water came from,” she says. “We would spend quite a bit of time in the water, especially when it was stormy and rainy. We’d go out and have a heap of fun surfing on boogie boards or kayaks.”
Wanting her and her elder brothers, Shaun and Brett, to respect the ocean, her parents enrolled them into the Whakatāne Surf Club’s Nippers programme, where Lisa quickly became enamoured with the sport
of surf lifesaving.
Even at a young age, her focus and determination manifested, and she threw herself into her training, even switching to the Mount Maunganui Surf Club when she was 16 for advanced coaching. Surf lifesaving was everything and she started competing. She was walking the path but it was proving a bumpy road. Then fate intervened.
“My dad heard about a camp that was being held for kayaking. He took me along, just as a supplement to surf lifesaving,” she says of her less than auspicious introduction to the sport.
“From there I raced at a few national champs…” she suddenly cuts herself short. Perhaps worried it sounds like she’s bragging, she almost apologetically says, “There wasn’t too many of us that competed. You
could make a New Zealand team pretty − I mean, you had to be a certain level but there really weren’t many of us competing.”
Satisfied she’s played it down enough, she continues. “And then kayaking just became something I did.”
Another thing she recently did is release her first book. Lisa Carrington Chases a Champion is a beautifully illustrated children’s picture book for kids aged four to nine. The book is fictional but based on her lived experience, and follows eight-year-old Lisa conquering her fears and anxieties around her first big kayak race. Lisa hopes it becomes a book series. She started it three years ago, after being approached by independent publishers Huia. They asked if she’d like to write a book.
“I thought a children’s book would be cool,” she smiles. “I wanted to share the lessons that I’d learned and the lessons I’m still learning. You can be influenced in such great ways at a young age, so having lessons that I’ve learned be woven into what kids are reading at night, or what their parents, grandparents or aunties and uncles are reading them is so cool,” she enthuses. “I’m so proud of the story.”
She’s also proud that Huia are publishing the book in both English and Te Reo, saying “I’m so grateful that we were able to translate it into Māori, it’s really important.”.
She walks with her Māori heritage, especially when overseas competing in high-pressure events like the Olympics.
“It’s something that I draw strength from, particularly when I’m away. Those are the moments I’m leaning on my heritage and whakapapa to give me strength,” she says. “It’s part of me. But I also use it in a way to keep me humble. To remind myself of who was before me.”
As for what the future holds, Lisa’s in no particular rush to find out. Media have been pushing to discover whether the Queen of Kayaks, the GOAT, will paddle out to defend her titles at the 2028 Olympics in
Los Angeles. It’s a tantalising thought; having accomplished the impossible of two gold-medal hat tricks, could she go on to achieve the downright unthinkable and win a hat trick of gold-medal hat tricks? The extreme challenge and monumental difficulty of such a feat is inconceivable. Outrageous. Preposterous. But, then again…
For now, however, Lisa’s “taking a breath”.
“I’m still not 100 percent certain on what I’ll do with sport,” she admits after the year she describes as “massive”.
“People tell me I need to go on holiday,” she laughs.
That, however, would be doing something. Instead, she’s enjoying the possibilities offered by all the hours in an open day free of alarm clocks, training and schedules.
“In sport, there’s always a sense that time’s running out because you’ve got to make the most of every moment,” she explains. “Right now, I’m spending all my time being relaxed and saying ‘Yes’ to things that I normally wouldn’t.”
“You know, staying out late and pushing the boat out…” she grins.
After her unprecedented history-making performance in Paris, no one can begrudge Dame Lisa Carrington a few celebratory late-night drinks followed by some late-morning sleep-ins. Los Angeles 2028 can wait.
Before leaving her to some well-deserved relaxation, I sneak in one final question that may provide a hint about her future plans; Has she been out on the water since she’s been back?
“I’ve been out for a few swims,” she beams, gliding past my trap question with all the effortless grace she displayed in the water at Paris.
“But no paddling.”
Lisa Carrington Chases a Champion is in all good bookstores now.
The secret garden
A whimsical wonderland lies hidden in Hamurana for storybook lovers of all ages to discover. With a story of her own, the creator has found freedom in its magic.
A whimsical wonderland lies hidden in Hamurana for storybook lovers of all ages to discover. With a story of her own, the creator has found freedom in its magic.
WORDS Hayley Barnett
If it wasn’t for a giant wooden carving of the majestic lion from Narnia sitting at the entrance to Jenna and Brent Austin’s farmyard property, you’d be convinced you were lost. Hamurana’s Enchanted Storybook Nook is hidden away in the back of what looks to be a rundown greenhouse with a small cabin attached.
“You can see people wondering what they’re in for when they arrive,” laughs Jenna, her long blonde curls contrasting against a black fur coat and bright red lipstick. She teeters on high heels as she walks across the grass to greet us.
It’s a beautiful Sunday afternoon. Jenna has just finished tidying up after a birthday party and is rushing back to the house to put her youngest child – one of four – down to sleep. I assume the get-up is part of a character for the party, but she wasn’t involved. This is simply how she dresses day to day, even on the farm, even with four children. Once you see the hidden garden for yourself, Jenna’s eccentricities suddenly make sense.
Just upon entering the small wooden cabin we’re amazed. Made to feel as if you’re stepping back in time, the beauty is in the details. There’s a reading nook and a secret entrance to the restroom, complete with a faux library wall. The large glass drink dispenser labeled ‘Drink Me’, with a tasty potion inside, is the perfect start to our trip into a literal Wonderland.
“The whole concept began in my mind the second I saw the space,” explains Jenna. “Brent and I discovered a hidden, abandoned shade house when we were viewing the property, before we bought it. I knew instantly it could be transformed into a secret garden. Brent suggested we turn it into a chicken coop, but by that point my imagination had already taken flight and planned the entire thing.”
Brent is a builder and agreed to build the cottage at the beginning of the shade house, which is where you enter the garden through the “Narnia wardrobe” – an antique wardrobe Jenna had bought years ago from Trade Me.
As a child, Jenna was captivated by the movie The Lion, The Witch and The Wardrobe. “Discovering an entire world through an old wardrobe was beyond magical to me,” says Jenna. “I actually purchased that wardrobe with the intent of one day building a secret door behind it that entered into my own secret space whenever we found our forever home.”
Many of the layouts have changed and evolved since its inception but the one thing that remains the same is the yellow brick road which meanders through the entire garden. Fast-forward a few years to its near completion, you can now enter through the wardrobe into a snowy Narnia scene, complete with a lion and lamppost. From there the brick road leads you through all Jenna’s favourite books and movies as a child. Hansel and Gretel, Alice In Wonderland, Peter Pan, Mary Poppins, The Wizard of Oz – the list goes on.
“The whole concept really was just for me,” says Jenna. “I never intended it to be for anyone other than myself. Sure, I delighted in the fact that I could take my kids in there to have tea parties and for them to experience their very own wonderland in their backyard but that was by no means my goal. My driving force was my depression and constant need to get reprieve from the emptiness I feel on a daily basis.”
Jenna has suffered from depression and anxiety for most of her life, ever since she was diagnosed with anorexia at age 14. She was hospitalised four times, and although she’s won the battle with her eating disorder, the feelings associated with it have never really left her.
“I notice when I’m creating I’m immersed in the moment, and all the pain and negativity and the screaming chaos in my head almost ceases to exist. Creating a place full of all my favourite childhood books and movies felt so magical.
“It wasn’t that I wanted to escape into a different reality and be a little girl again. I can’t really explain it, so I typed into Google “nostalgia and healing” and this article came up that said ‘actively reminiscing on happy moments or joining in activities that are tied to positive memories can be emotionally soothing’.”
Jenna’s core memories from when she was a child were of tiny tea parties with her grandma, and the happiness she felt when watching her favourite movies. “I was able to revisit a time when life was calm and joyful and happy.”
When Jenna got started on the garden she commissioned her friend, artist Maria Hermans, to paint a storybook-inspired mural. “She went above and beyond and exceeded my expectations,” says Jenna.
Maria also struggles with mental illness and, over time, both Jenna and Maria gained a tremendous amount of positive focus and satisfaction from creating the garden together.
Maria continued to paint more and more, filling up the garden walls as the years went on. Sadly, Jenna’s grandmother, Gloria, passed away recently. In one of the murals, Maria used a photo of Gloria when she was 18 years old to depict her as Glinda, the Good Witch from The Wizard of Oz.
For Jenna, turning 40 this year has coincided with opening up the garden
to the public.
“I’m blown away at how something that simply started off as a personal passion project is now fast becoming a special destination for the young and old to visit,” she says. “I’m really starting to enjoy being able to share what is essentially the very essence of who I am, as well as the adversity I have overcome and am still to overcome. It’s not just a garden to me, and the outpouring of messages I’ve received proves it’s not just a
garden to others either. It really touches people and captures the nostalgia of their childhoods.”
Jenna points out there’s still space to extend the garden, but for now she’s content with allowing the public through and hiring out the space for the occasional party.
“I might look at hiring a fairy entertainer, so we can hold fairy parties,” says Jenna, who has hung up her own fairy wings for now. “Maybe I’ll focus on catering to the adults in a coffee cart.”
Book via Facebook Messenger: theenchantedstorybooknook
Serenity in sand
From the depths of personal turmoil to creating a career through artistic expression, Kenrick Smith’s journey is a testament to the healing powers of nature and mindfulness. UNO talks to him about discovering sand art, working for Ed Sheeran and his passion for improving our country’s sobering statistics on mental health.
From the depths of personal turmoil to creating a career through artistic expression, Kenrick Smith’s journey is a testament to the healing powers of nature and mindfulness. UNO talks to him about discovering sand art, working for Ed Sheeran and his passion for improving our country’s sobering statistics on mental health.
WORDS Karen Clarkson | PHOTOS Quinn O’Connell
On a quiet Wednesday morning at home in Pāpāmoa, mental health coach and father of two, Kenrick Smith, tunes in to the soothing sound of the ocean and focuses on his breath during his morning meditation. A newfound daily ritual he has come to rely on. But life hasn’t always been this zen.
In 2020, while living on a lifestyle property in the Kaimai Ranges with his artist-wife Jasmine and new baby, Kenrick’s world was cut off overnight
due to a global pandemic. His successful wedding photography business ground to a halt due to lockdowns and he felt isolated, anxious and navigating personal turmoil. “I had a recent back injury, was recently diagnosed with ADHD and my marriage was struggling – I was in a bad place,” he reflects candidly. “Looking back now, I was on the edge of a major depressive episode.”
On a family trip to the beach during lockdown, he felt inspired by the wide open spaces of his Hawkes Bay rural childhood, found a stick and began drawing. A basic circular design with a piece of driftwood, soon evolved into regular trips to the beach to create large-scale mandalas, using a variety of tools to reflect textures, patterns and shapes in nature. “Sand art became my sanctuary," he shares. “It was where I found peace.”
Over the next year, while attending marriage counselling and researching his own neurodiversity, Kenrick also discovered the benefits of mindfulness and meditation. He started sitting on the sand for five minutes, focussing on the sound of the waves, the feel of the sunshine, listening to the birds, and the wind on his face. “Then I would head to the sand and design. The difference was amazing.”
What started as personal catharsis soon blossomed into a business with a goal to “help others feel this way.” From needing to take annual leave to run his first workshops, Rake Healing now hosts regular corporate groups, schools and private classes – helping hundreds of adults and children to experience the benefits of time reconnecting with nature, exploring your creativity and using sand as your canvas.
He says the change in clear shift in wellbeing from the beginning of a two-hour workshop to the end, still surprises him. “From CEO’s to five-year-olds, getting out in nature and creating something artistic has a profound positive effect for our brains and bodies. For some people meditation and mindfulness can be a scary, unknown thing. In reality, it is about being aware of your surroundings; it’s about putting down your phone and watching your kids at the playground; going for a walk at the beach and listening to the sounds around you, or doing something creative to allow you to focus on the present.”
A phone call from a Warner Music spokesperson last year, culminated in Kenrick’s first international commission – a large sand-art design of a Sycamore tree, designed on the Mount main beach near Moturiki Island. Kenrick was chosen alongside eight other international sand artists to create a design to represent a song on Ed Sheeran’s album Subtract. “Sycamore was chosen for New Zealand; it is a sombre track with heartfelt lyrics of struggle and loss so I felt like it was the perfect collaboration,” explains Kenrick.
Through this and other collaborations with national and international brands and causes, Rake Healing has enabled more conversations around mental health and fuelled a desire for Kenrick to support more New Zealanders navigating mental health challenges.
Yarns With Rick, is his latest venture into mental health coaching and support, where Kenrick channels his experiences into guiding others through life’s tumultuous seas. “Like many Kiwis, depression and anxiety wasn’t discussed in my family, school or community growing up. When you’re in a dark place, it’s critical to let others know what you are going through, and connect with others – both friends and professionals who have been through what you are.”
“I see Yarns With Rick as a compass,” he explains, “to help individuals navigate their inner landscapes and find their true north.” Through retreats, workshops, and online resources, he aims to dismantle stigmas around mental health and empower individuals and communities with practical tools for resilience and self-compassion.
With a passion to help neurodiverse youth and adults thrive in life and be all they can be, Kenrick runs monthly meet-ups for men, regular adventures in nature for guys and girls and is about to launch a series of online courses.
“We need to normalise conversations about mental health,” he urges, “and provide practical tools for facing painful experiences. Nature provides a wonderful environment to allow people to discover a pathway back to themselves. For me, it was everything I needed when I needed it.
From a young Dad, struggling with his own mental health, to getting outside and soaking up the healing power of nature, Kenrick’s goal is to empower more New Zealanders to access the tools they need to harness mindfulness, resilience and self-compassion, so we can all thrive as people, parents and communities.
Kenrick’s top tips for mental health:
Get into nature
Nature is so calming for the body and mind. Put your phone away and walk to the beach, go to a park or walk around the block. Moving your body increases blood flow and reduces stress, so often challenges can be easier to deal with after a good walk.
Acknowledge your emotions
Often we are trying to avoid the negative emotions in our body. If you can actually acknowledge what you are feeling, to yourself outloud, in a journal or to a friend – often clarity, peace and perspective follows.
Turn the problem around
Now you’ve acknowledged what’s going on, turn it around. Taking a previously negative emotion or experience and turning it around can help hugely. If you’re feeling worried, what could be the opposite of those feelings? Concerned can also feel calm, anxious might feel confident and scared could feel secure.
Shop the Avenue
Tauranga's Eleventh Avenue sells an eclectic mix of fashion, food and fabulous finds for any occasion.
Tauranga's Eleventh Avenue sells an eclectic mix of fashion, food and fabulous finds for any occasion.
M.M Linen
Wake up rested and inspired with M.M Linen’s Spring/Summer 24/25 Collection. The Botanica Poplar Bedspread Set, pictured here, offers understated style. Blend plain and patterned layers for a versatile, enduring style.
mmlinen.com | IG mmlinen
Wendys Boutique
In the bustling heart of the plaza, you’ll discover Wendys Boutique, a designer clothing store where women of all ages can truly find their style. With an impressive selection of top brands from New Zealand and beyond, including Zoe Kratzmann, Trelise Cooper, Lolly’s Laundry, and Juliette Hogan, it’s a fashion haven waiting for you to explore.
The Luxe Club
The Luxe Club is a family-owned boutique offering bespoke jewellery and accessories. Established by Carmen and daughter Hannah, it features high-quality, handpicked pieces from New Zealand brands like Saben, Status Anxiety and more. Customers are welcome to browse and enjoy the relaxed atmosphere. Popular services include custom designs for weddings and events alongside jewellery repairs.
Synergy Vitality Spa
Synergy Vitality Spa has been established at Eleventh Avenue for well over 20 years. Offering clients a relaxed and friendly atmosphere, the spa’s professional therapists are devoted to their jobs and strive for perfection in all their treatments. These include advanced skin treatments such as IPL for pigmentation and red veins, Black & White permanent hair reduction, as well as anti-aging rejuvenation and PCA peels.
HairStyle
Meet Nic Apaapa and the expert team at HairStyle, Tauranga’s hub for beautiful, healthy hair. With experience at Fashion Weeks, VMAs, and international stages, Nic invites you to elevate your hair journey, offering personalised consultations and professional expertise.
Blanc Flowers & Gifts
Tauranga’s premier florist brings you the finest selection of fresh and dried flowers, elegant bouquets and arrangements. The store also features a range of gifts, from wines and chocolates to candles, puzzles and books, and offer same-day delivery for orders placed by noon to Tauranga, Ōmokoroa, Mount Maunganui and Pāpāmoa.
blanc.co.nz | FB blancflorist | IG _blancflorist
Delicacy and Juz Catering
Delicacy Café has been delighting food lovers since 1998, serving up beautifully crafted dishes and exceptional coffee. With a talented team creating fresh, flavourful meals daily, and their cabinet selection is a feast for the senses – from gourmet pies to delectable slices, there’s something for everyone. Plus, Juz Catering offers home-cooked meals and catering for any occasion.
juzcatering.co.nz | FB juzcatering.co.nz | IG delicacy_juzcatering
Tauranga Knitting Centre
For over 30 years, Tauranga Knitting Centre has been a hub for knitting and crochet enthusiasts. Offering a wide range of quality yarns, needles, patterns, and accessories, the shop caters to all skill levels. With friendly, knowledgeable staff and a warm atmosphere, it’s the ideal spot to find inspiration and supplies for your next creative project.
taurangaknitting.co.nz | FB TgaKnitting | IG taurangaknitting
Ōmokoroa’s taste of Italy
Marko Velickovic transforms fresh local ingredients into authentic Italian dishes at the beachside ‘trattoria’ Alma.
Marko Velickovic transforms fresh local ingredients into authentic Italian dishes at the beachside ‘trattoria’ Alma.
WORDS Hayley Barnett
Marko Velickovic comes from a long line of chefs. His family’s restaurant in Serbia has been in business for more than 50 years. And after spending 10 years cutting his teeth at some of Europe’s best Michelin star restaurants, it comes as no surprise that he only accepts the absolute best ingredients for his own eatery here in the Bay.
Ōmokoroa’s Alma offers an Italian-inspired menu specialising in hand-stretched Roman-style pizza and homemade fresh pasta using local ingredients, as well as premium imported products from Italy.
The Serbian with a passion for Italian cuisine made the move to the Bay from Croatia six years ago. “It’s a funny story actually,” Marko smiles. “A friend called me from New Zealand and said, ‘you need to move here. No one knows how to cook!”
On arrival, he was snapped up by Alpino in the Mount and stayed as head chef for two and half years. But he yearned for more life outside the kitchen. "I quit and set out to buy a boat. Then another friend called and said, ‘I’ve found this place that’s perfect for you.’” Back then, the Ōmokoroa site was in dire need of a revamp but, being right on the water, Marko recognised its potential. Together with his business partner, Ewelina Large, they dove straight in.
Suddenly his dream of a work/life balance went up in smoke and he found himself working seven days a week and throwing all his money into the set up. “I’m not sure why I thought that was better than spending my days on a boat,” he jokes. However the worst was yet to come. On opening day the country went into its first Covid lockdown. “It was terrible. But we worked hard on the place during lockdown and then the day we opened again was the day of the tsunami warning.”
Despite the cruel setbacks, Alma eventually opened its doors, drawing attention from Cuisine, who listed them in the Good Food Guide and awarded them the title of Favourite Destination. The restaurant has since won a Judges’ Choice Award in the 2023 Plates of Plenty for its Fagottini con fungi e tartufo. Today Alma is widely known to be one of the best Italian eateries in the region. All Marko’s hard work is paying off. “Foodies recognise the difference when you go the extra mile,” he says.
Heading into summer, Alma is definitely a destination spot to put on the foodie wish-list.
Windows to history
The CBD is getting a much-needed glow up, courtesy of acclaimed artist Sara Hughes, the council and over 250 local children.
The CBD is getting a much-needed glow up, courtesy of acclaimed artist Sara Hughes, the council and over 250 local children.
WORDS Karl Puschmann | PHOTOS Katie Cox
Anyone who’s ever watched a home renovation show knows that a well-chosen artwork hung on an otherwise plain wall will elevate an entire room. Extrapolate that arty truth to encompass the drab vacant storefronts in Tauranga’s city centre and you start to see the genius of the new public art initiative, Reimagine Tauranga.
Envisioned by renowned artist Sara Hughes and created in partnership with the Tauranga City Council, the exhibition has taken over the windows of eight prominent shops in the CBD. These otherwise standard storefronts, transformed by creativity, imagination and generous dollops of Sara’s unique style of vivid colours and embrace of bold patterns, tell the story of Tauranga’s rich history.
“That’s a really important aspect of this project,” Sara says. “I’m fascinated with the history of a place, so I really wanted to bring that in.”
Banish any thoughts of dusty old black and white history lessons. Hughes also reimagined how to bring the past into the present while keeping true to her acclaimed style and the project’s vision of light, colour and creativity. With assistance from Tauranga Museum’s curator Fiona Kean, Sara worked her way through the Tauranga Museum collection, a vast archive of treasured items from our collective past that includes everything from beach balls to surfboards to newspapers.
“It’s a way to celebrate some of the lesser-known objects, but things that particularly relate to the important beach culture of Tauranga,” Sara explains. “Things like beach balls and parasols or a particular swimming tog pattern. It’s to celebrate and draw attention to these special things that are held within the Tauranga Museum collection.”
The idea was to use the patterns and colours of these everyday objects as inspiration. They may be of historical value and from a museum’s curated collection but these artworks encourage you to look at common items in a new way, to find the artistic hidden in things people don’t usually look at twice, to reimagine the every day. Like, for example, the window given over to celebrating the patterns on beach parasols.
Sara also reimagined what this project could be on a fundamental level. She didn’t want it to be all about her, and her take on Tauranga’s history. Instead, she wanted to bring in the community, particularly children, and have them contribute in a tangible and very real way.
After viewing the museum collection with Fiona and selecting the items she then ran a series of art workshops at Tauranga Art Gallery and ran classes in different schools all over Tauranga. Around 250 children of different ages, schools and backgrounds all took part and now find themselves contributors to a major public art project.
“They’ve all come together through art, which was also an important part of this for me. Reimagine Tauranga is less about me – it’s not so much my artworks in the eight windows – instead the children created either the objects or the imagery that will be in the windows,” she explains. “I am running it, and the concept of this project is mine, but it’s not my artwork as such.”
She sees herself more as the curator and exhibitor. In fact, when UNO calls she was getting ready to spend a week in the different window locations, installing, hanging and displaying the eight works. All of which will have a plaque detailing the inspiring piece or item and its historic relevance to the city.
A neat twist is that the art will look different depending on when you see it, with Sara calling on famed lighting designer Richard Bracebridge to illuminate the different works.
“The night aspect of it is very important,” she says. “Because light has such a strong effect in how a city centre looks when it’s lit at nighttime.”
There is one question that’s been niggling; how on earth did they persuade eight shops to give up their window space for an entire year? The short answer is, they didn’t.
“They’re being put into shop fronts that are currently for lease,” she explains. “It’s been great to have the support of the shop owners who believe it’s a good idea to have public art and artworks created by children in the city centre.”
She’s excited about the public finally seeing the project she’s worked on for the past few years. It’s been a massive undertaking, but one that more than lives up to its ambitious title.
“Hopefully it will be something people will be excited to come and see,” Sara says. “I want people to be really intrigued and curious.”
Then she smiles and says, “I think they'll come away feeling joy and excitement, and that will really positively impact their day or evening.”
Still evolving
Judy Bailey reflects on purposeful ageing, what brings her joy, and her feelings of imposter syndrome ahead of her Tauranga literary festival debut.
Judy Bailey reflects on purposeful ageing, what brings her joy, and her feelings of imposter syndrome ahead of her Tauranga literary festival debut.
WORDS Monique Balvert-Connor
A serendipitous call from Harper Collins publishers sparked a new chapter in Judy Bailey’s illustrious career.
New Zealand’s beloved former broadcaster, once affectionately dubbed “Mother of the Nation”, has penned a book that’s now whizzing off bookshop shelves.
This exciting opportunity came after Judy had been contemplating the ageing journey and its challenges. “When the chance to write about it arose, I embraced it wholeheartedly – just as I’ve approached life’s adventures throughout my years.” Her book, Evolving, is set to be a focal point at Tauranga’s literary festival, Escape, where Judy will be speaking later this month. Between engagements, she might even squeeze in a visit with her former TV news anchor colleague, Richard Long, now based in Tauranga.
As for the title, Judy laughingly confesses she “stole” it when tennis great Serena Williams served it up in a quote. “People were constantly asking her how retirement was. She said, ‘I am not retired; I am evolving.’ That’s how I feel about it.”
Retirement is such a hideous word. Look in the dictionary. It means things like ‘to go to bed’. “Evolving is what we are doing – from one stage to another – and that can be equally rewarding and fulfilling, as we still have a contribution to make,” says Judy, who will turn 72 the day she presents at Escape’s morning tea event on October 18.
In a sense, the book has enabled her to champion the cause of the elderly, whom she feels often get “a really bad rap”. “Older people are sometimes dismissed; considered past their use-by date. They shouldn’t be lumped into a universal aged category. The over-60s age group is enormously diverse, and this age group has an enormous amount to offer still. Many remain vibrant and intelligent, contributing members of society with a lot to offer. We need to think proactively about our ageing and not just let it happen to us. It’s not all downhill to the zimmer frame.”
Judy says writing Evolving has been an exploration of her journey and a discovery of how she can live her best life after 65. There’s much that many people will relate to, with learnings aplenty. Personal experiences and science are melded with the subjects tackled including taking care of your body and mind, navigating health scares, dealing with dementia, grieving loved ones, Botox, organising finances, wills, power of attorney, end-of-life care and enjoying the finer things.
Readers are enjoying simple messages and a few surprises in this ‘dip in, dip out’ book, she says. “There are things we instinctively know to do to take care of ourselves – common sense things involving sleep, fresh air and good diet. But there are some helpful tricks along the way. For example, foregoing the sunnies on the morning walk so we can get some UV rays on our eyes. Things like the importance of going to bed and getting up at the same time, even on weekends, to maintain our circadian rhythm. “What I have discovered along the way, really, is the people who should be reading this book are those in their 40s and 50s, as what you are doing then has a huge bearing on how you age.”
One ‘big, big thing’ of concern is alcohol consumption in New Zealand and the fact that it’s increasing among the older population. Many drink as a stress release, but alcohol actually increases stress and is really bad for the heart and brain, Judy informs. Far from sanctimonious, Judy says she’s the first person to enjoy a glass of something. While she keeps herself fit and healthy and eats reasonable food, she does have “a big hankering” for blue cheese and chocolate. Life’s too short to not enjoy those things, she smiles.
In writing Evolving, Judy has referenced Harvard University longitudinal studies and spoken to geriatricians and gerontologists and other academics. It’s reassuring, she says, that they are saying similar things, so the research is robust. She’s heartened by the fact there’s “amazing” research being conducted in New Zealand around ageing and that we have a professor of ageing.
Judy’s own evolving continues to involve some paid work. Since reading her final TV news bulletin in 2005 she’s enjoyed other broadcasting stints, some promotional work and she continues to write about inspirational women and travel. She loves Africa, “with a passion.” Botswana (the Okavango Delta) is one of her favourite places. Paris and Italy also get a mention. A wonderful amount of time is also spent with family – she and her husband Chris have three children and eight grandchildren who all live near their Auckland home. Judy and Chris also
enjoy being at their Flaxmill Bay property.
Anywhere with a good book is also a very happy place, Judy says, citing Where the Crawdads Sing, Lessons in Chemistry, and The Axeman’s Carnival as much-enjoyed reads. Escape will be Judy’s first time presenting at a literary festival. With that comes a massive sense of impostor syndrome, she confesses. She’s not sure she’s sufficiently “literary”. Neither, she says, is she totally comfortable with being called Mother of the Nation. “So many other people would wear that title so
much better than me. I’ve been called it for decades and always feel embarrassed by it.” As for Judy’s own longitudinal, constantly evolving journey, she says she hopes to have “a couple of decades of useful life” left in her.
Judy’s visit to Escape has been sponsored by Craigs Investment Partners.
Members only
The Tauranga Club may be one of the Bay’s oldest institutions, but it’s got a refreshingly modern outlook. Join UNO as we’re invited inside the famous private members club.
The Tauranga Club may be one of the Bay’s oldest institutions, but it’s got a refreshingly modern outlook. Join UNO as we’re invited inside the famous private members club.
WORDS Karl Puschmann | PHOTOS Bryony Alexander
Intrigue and mystique swirl around private member’s clubs. It seems everybody has a different, although no less fanciful, idea of what might be going on behind their closed-to-the-general-public doors.
Some might picture wood-panelled cigar dens where men in suits gather to wheel and deal over whiskey. Others believe them to be the clubrooms of the rich and famous thanks to decades of being the backdrop for celebrity interviews and late-night paparazzi shots snapped outside their doors. The more imaginative conjure up wild scenes of secret handshakes, hooded cloaks and arcane rituals acted out to the menace of foreboding orchestral music.
In fact, there are only two things that people tend to agree on when it comes to private member’s clubs; 1) they’re fancy and 2) they’d love to go themselves.
And so it was for this writer when an invitation was extended to snoop around the prestigious Tauranga Club. It wasn’t worded so colloquially, but that’s what I took from the invite, which I hurriedly accepted.
Disappointingly, I was not given a secret password or for that matter a burgundy velvet cloak. Instead, only simple directions to the Devonport Towers in the heart of Tauranga’s CBD, and the instruction that I’d be buzzed up to the fifth floor.
On this particular Thursday, the Club is a hive of activity. Not of members, conversing in the lounge, enjoying a drink at the bar, reading in the nook, engaging in private discussion in one of the soundproofed meeting rooms or enjoying a meal while luxuriating in the wide-open panoramic views of the sparkling harbour that takes in Welcome Bay right round to the Mount. That will all come.
Instead, builders and craftspeople diligently add the finishing touches to the modern, stylish remodel that saw the Club close its doors for the better part of two years. At the time of UNO’s visit, the grand re-opening is just over a week away.
“Everything’s coming together,” smiles new executive chef, Ian Harrison, who local foodies will instantly recognise as the award-winning chef behind the delectable Sugo Restaurant. As opening day creeps closer, Ian’s busy finalising the fine details on the new menu he’s created for the club − which, in a first, also now includes breakfast.
Right now, however, there’s one critical component on his mind.
“The cocktails I haven’t got to yet,” he smiles. “It’s crucial.”
He describes the new menu as, “unique, but not trying to be clever,” which translated from chef-speak means diners will be presented with a modern, seasonal menu with classic dishes made with as many locally-sourced products as possible.
“With this view, I’ve tried to keep as much seafood on there as possible,” he says, gesturing at the majestic harbour. “It’s not a seafood restaurant, but there’s seafood and Kiwi classics on the menu. The food that everyone wants to eat,” he says, before adding, “but with a high spin on them.”
That phrase also works as a handy summation of The Tauranga Club itself; a Kiwi classic with a high spin on it. As Phil Green says when he greets me at the new brass-plated doors, “The Tauranga Club is 130 years and some months old.”
Phil is the Club’s vice president and the architect behind the ambitious renovation, which was born out of less-than-ideal circumstances. Last
year’s horrifically rainy summer saw water seeping into the building.
“That whole summer it just didn't stop raining,” Club president Tracey Gudsell explains. “It was basically raining through the ceiling, which led to black mould getting into the building. We just had issue after issue after issue.”
They immediately closed down for the safety of staff and members. But rather than be disheartened by the closure and the year of remedial work the building needed, Tracey and Phil instead saw the silver lining of that wet rain cloud.
“It was our opportunity to come back refreshed whilst we were closed sorting those issues,” Tracey says, with Phil adding, “It gave us a chance to reset.”
Their plan was to modernise the Club, not just for 2024 but beyond. This meant a complete reimagining and revamp of the space. Walls were knocked down, rooms added, new furnishings bought in, artwork hung, and splashes of colour tastefully added, new carpets, ceilings, lighting – the list goes on. All in aid of creating an inviting and welcoming space for people to enjoy and want to spend time in. “A modern sanctuary,” as Tracey calls it.
The main area is now a versatile space that can be easily divided to create different-sized spaces, meaning the Club can accommodate conferences, seminars or meetings while still accommodating diners and the recreational needs of its members. But it can also be opened right up to allow for bigger functions like weddings, anniversaries or even, in one instance, a 21st.
“We also have a dance floor we can put down,” Phil grins.
As well as modernising, a big focus of the redesign was to highlight and reinforce the social aspect of belonging to a club. They wanted a place where people could feel comfortable whether working, entertaining or mingling.
“Members get to know members, and you can walk up and say ‘Hello,’ and it’s not weird,” Tracey says. “I don't find it easy to go out on my own, but at the Club I do. I come here and there’s old friendly faces or someone that I can walk up to and say ‘Hi,’ and feel comfortable because I’m in a club environment where you’re all part of that community. You can be as visible or as private as you like.”
Fittingly, The Tauranga Club was started over drinks, most likely a few whiskeys, by a chap named Lieutenant Colonel Roberts. His first name is unknown but the club he masterminded on the night of March 31, 1894, is incredibly well known.
“There was a meeting in the back bar of the Star Hotel, where he decided to get a group of people together, basically a gentleman's club,” longtime member and unofficial Club historian Jock McIntyre says.
“It grew to around 100 members relatively quickly, but it wasn't until about 1912-1914, that a guy named Sharp came on board. He had a couple of shillings in his pocket and bought this piece of land and donated it to the Club.”
He laughs softly and says, “It was a fairly decent thing to do.”
With Sharp’s involvement and a new location, the Club began attracting the professionals that he interacted with every day as a founder of the well-known law firm Sharp Tudhope.
“There were lawyers, accountants, doctors and so on,” Jock says. “Sharp got all the professional people of Tauranga together and got this thing going properly.”
The times may have changed but The Tauranga Club is still the place for like-minded professionals to gather, even 130 years on. Interestingly, it was never officially labelled a “gentleman’s club”, even if that was its original intention, and today Tracey and Phil estimate the gender balance to be evenly split. The member base includes the expected movers and shakers of Tauranga but also young professionals looking for
a place to work, network and relax, right through to older members who have been with the Club for decades.
The pair are rightfully enthused about The Tauranga Club and as they talk I begin to greatly appreciate its appeal. It’s an office away from the office, a place to take potential clients you want to impress and somewhere to make invaluable contacts. But it’s also a place to chill out and not talk shop. Somewhere to meet people for a sophisticated drink or take a special someone for a romantic harbour-lit meal.It really can be whatever you need or want it to be.
“We’ve always maintained we’re the best-kept secret in Tauranga,” Tracey smiles. “We’ve got views no one else does. We have the ambience and the personal service,” Tracey says, her passion obvious. “For members, it’s their space, their lounge, their dining room. A lot of members see it as an extension of their home. You can bring your family and your friends here and it feels quite different to turning up at a restaurant. There’s a real personal touch here. We get to know the members and what they like, and we cater for that.”
Of course, you do have to be a member − or with a member − to enjoy it,
although Phil does point out honourary memberships for one-off visits, like hotel guests enjoying breakfast or people attending an event are allowed.
This leads directly to the big question I’ve been saving up; how exactly does one become a member of one of Tauranga’s oldest and most prestigious institutions?
“That’s a secret,” Phil jokes, before spilling the beans. “No, there’s not
a secret handshake or anything like that. You apply to be a member, that's no problem at all, two committee members review that, and then you’re nominated in. If you’re not known to us, we’ll meet, have a coffee and then nominate you. It's a reasonably easy process.”
With the renovation nearing completion, they’re excited for members to once again enjoy full use of their club. Whether that’s business, pleasure or a bit of both − The Tauranga Club has the versatility to accommodate. It truly is a sanctuary.
“It’s somewhere different, and with a bit of a wow factor,” Phil smiles.
Sitting here, enjoying the comfort, ambience and, of course, those priceless views, it’s impossible to disagree with him.
The gift of thrift
No longer just a budget-friendly option, recycled fashion has transformed into a cultural phenomenon – with celebrities and brands joining in.
No longer just a budget-friendly option, recycled fashion has transformed into a cultural phenomenon – with celebrities and brands joining in.
WORDS Nicky Adams
Historically, ‘thrifting’ or sifting through rails of musty clothes at op shops, was a rite of passage for most teenagers. Driven by a desire for fashion, a general lack of ability to fund this desire, and a love of the individuality that recycled clothes provide, it was always a fun pastime, a social event, and went hand in hand with the euphoria of finding a hidden gem amid the piles of old ladies’ undies.
I think it’s a fair call to say the landscape on this has changed dramatically over the last ten years. The rise of online shopping has produced a generation of consumers who are happy to forgo physically being part of the hunt.
More importantly the explosion of uber cheap fast fashion via Shein and co has meant that the art of op-shopping has essentially re-branded to appeal to a new generation and to hold the interest of the devoted forager. Like anything it’s all in the presentation, and ‘pre-loved’, re-fashion, ‘up-cycled’ and ‘vintage’ have a far greater feel-good factor. This isn’t necessarily a bad thing; now thrifting is recognised for what it is, not just cost effective, but a way of recycling and thereby saving at least a little of the impact that disposable fashion has on the environment.
For most people when they think of thrifting the main destination would still be charity shops. A win-win situation, the hope is to come away with goodies while simultaneously helping a worthy cause. These stores (Salvation Army, St Vincent’s, Waipuna Hospice) do still form a big part of the thrifting gold mine, and canny op-shoppers will research both the demographic of the areas where items are donated from and specific shops to find which are likely to hold the most bounty. The adage one man’s trash is another’s treasure is never truer than in a charity shop – so if you’re after designer labels, it’s not uncommon to find incredible pieces that simply would not have stood out to the (possibly less fashion savvy) person pricing the item. A friend once called me in a frenzy after buying a brand-new pair of current season $1,800 boots for $20 – a coup indeed, and whilst this is an extreme example, it’s not uncommon to find top-end labels.
While many still generously donate to charity stores, the trend for regular wardrobe clear outs has meant that recouping some money for pieces has become more popular. The DIY online space has grown dramatically – Trade Me is a generic way of offloading, however specific clothing websites such as Designer Wardrobe, and newly-established Tikiteboo (which aims to connect conscious consumers) have gone from strength to strength; some offering to sell on behalf of vendors. Depop has a global presence and is something of a mecca amongst youth culture for circular fashion. Even celebrities are getting in on the act – Elton John recently put a collection up for auction on Ebay with profits donated to a charity, while the Kardashians run their own website of Kast-offs. Locally there are a number of physical boutiques that specialise in on-selling quality and vintage pieces. Nine Lives at the Mount showcases not just quality labels but also super cool one-off retro items. Recycle Boutique at Bayfair has multiple branches nationwide so will move stock through its various stores –advantageous for both consumer and vendor. For bulk buying, Turning Point Textiles at Historic Village opens the first Thursday and Friday of every month, and you can fill a bin bag for $5.
Along with foraging for high-quality or unique pieces, the concept of thrifting embraces the idea of finding something with the purpose of re-modelling it into something else. Hardly an original concept (previous generations would unravel and re-knit woollen jumpers), it’s certainly a way of extending the life of a garment. Increasingly this is also a strategy that is being looked at by eco-conscious designers. Some, for example, will seek out excess fabrics from textile mills and take that as the design start point, rather than the other way around. Other brands such as ‘Reclaimed Vintage’ (from ASOS) have been established purely on the premise of repurposing and utilising dead stock. This is a clear shift in the way the fashion industry is working, demonstrating it’s not just consumers who are looking to upcycle.
A fast-growing trend that sits along the concept of additional shopping options is clothes rental. With its popularity fuelled by both a tighter economy, a desire for less ‘stuff’ and a generation coming through who place less emphasis on ownership, rental can be the perfect solution not just for event wear, but to simply refresh your wardrobe. Re-framing the idea of borrowing for a one-off black tie or wedding, renting has moved into the space of offering options for all manner of occasions requiring general pieces you just might not be equipped for. Some people use it to tide them through weight fluctuations, or to find pieces for off season holidays. Mostly online, rentals often offer try-ons either at a physical location or by pre-booking the items.
Alternative shopping in whatever form, whether physical or online may take a little more effort. However, before deciding it’s not your jam, weigh up the benefits – our culture of over buying means that there are many, many pieces that still have labels on, that are lightly worn or are totally unique out there being upcycled rather than going to landfill.
Demystifying the terminology
Recycling – process of reuse to prevent the item being wasted
Upcycling – transforming unwanted clothes/materials into something new and often better
Sustainable fashion – responsible use of resources, low environmental impact, fairly treated workers.
Repurpose – changing the function of the initial garment into something better
Fast fashion – on-trend items rolled out at a fast pace
Eco fashion – produced without harming the environment from organic/recycled materials
Eco friendly – low environmental impact, no pesticides, less water etc
Ethical fashion – made according to the labour and human rights laws
Rental: Stealherstyle.rental
Celebrity second-hand: Kardashiankloset.com
Thrifting/deadstock: tikiteboo.co.nz
Plenty under twenty
Craving a night out without breaking the bank? Here’s part one
of Stacey Jones’ guide to the Bay’s tastiest budget bites.
Craving a night out without breaking the bank? Here’s part one
of Stacey Jones’ guide to the Bay’s tastiest budget bites.
WORDS Stacey Jones
Miss Gee's
In the midst of a cost-of-living crisis, the thrill of finding a cheap meal for under $20 has never been greater. While supermarket prices soar – $6 for a cucumber, $20 for a block of cheese (the world has clearly gone bananas), this only heightens the joy of discovering a tasty ‘cheap eat’.
Restaurants are able to buy in bulk, support local producers, and, best of all, save you the hassle of washing up.
I took to the local Facebook notice boards for our locals’ top spots and
was met with hundreds of suggestions. Clearly, we’re all feeling the pinch and on the hunt for the same thing… So this month, we are diving into the best budget-friendly meals available in the Bay of Plenty for under $20.
Let’s kick things off with a standout deal at Astrolab on Tuesdays. For just $12, you can enjoy a delicious burger paired with a beer or a soft drink. Yes, you read that right – $12! The burger is well-seasoned, the salad is fresh, and it’s a steal. Just remember, the more beers you drink, the less sweet the deal becomes. Arrive early to secure a spot, as it gets busy. For more burger deals, check out Palace on Mondays for $10 cheeseburgers, or Central Coast Takeaway with their burger, fries, and soda combo for $17. They have a small amount of seating too so you can eat in or take out.
Miss Gee's
Next up, Hello Bahn Mi offers Vietnamese yumminess for $14.50. Choose from tofu, pork, or chicken, or indulge in their other favourites like pho and summer rolls. For Thai cuisine, Leks Go Thai in Pāpāmoa serves mains under $20, perfect for sharing. This leaves some change for a bottle of wine! Meanwhile, Hawker House in the Mount offers Asian-inspired dishes for just $15 from Monday to Friday, 12-3pm. The beef rendang roti is top of my list.
Bobby's
Crossing the bridge to Matua, Café Istanbul tempts with Turkish flavours. A chicken or lamb iskender is just $17, offering a fresh, healthy meal. Over at Café Istanbul in the Mount, similar dishes, as well as a not very Turkish lasagna, are priced right at $20 and under. LoLo’s offers a Turkish wrap that's more stuffed than the Harbour Bridge at rush hour for $14, making it a true budget buster.
No article on Kiwi budget meals would be complete without mentioning fish and chips. Although prices have risen with the cost of fish, it remains a worthwhile option. Bobby’s in Greerton and Tauranga CBD serves a piece of fish for $6. Just watch out for the seagulls! Bay Fish Packers also promise value, along with Matua Fish and Chips.
For a budget-friendly lunch, head to Miss Gee’s Bar & Eatery with their $15 menu featuring ramen, burgers, hawker rolls, and a green curry salad. Or visit The Barrel Room from 12-4pm for a $15 lunch with salads, burgers, bowls, and pizzas. Speaking of pizza, Basilico got a lot of local votes. The margarita squeaks in at $19.90 and is generously sized – perfect for sharing if you’re not feeling too greedy. For even tighter budgets, Pizza Library offers $10, 10-inch pizzas every Monday.
Next month, we’ll explore Japanese, fried chicken, sandwiches, Indian, and dumplings. In the meantime, visit these budget-friendly spots, support local businesses, and savour every bite.
Bird’s-eye view
Julian Godfery’s unique interpretation of the world is captured in his intricate artworks.
Julian Godfery’s unique interpretation of the world is captured in his intricate artworks.
Artist Julian Godfery happily admits his biggest source of artistic inspiration is his mum.
He has been making art since he was five years old and actually inspired her to begin painting again 20 years after she graduated from art school. His mum is well-known artist Jane Galloway, whose work can be found on greeting cards, paintings and prints in galleries around New Zealand. Her full-time artistic career began 25 years ago after she was inspired by art Julian made for a kindergarten fundraiser. Now their work is displayed together in the same Waikato galleries.
Here, UNO talks to Julian about his passion for art.
UNO: What drew you to your particular style of art?
I like doing detailed drawings in pen and ink. I have been inspired by watching mum do realistic watercolours, which she used to paint on paper stretched over the dining table. She would cover the work with blankets and a plastic sheet whenever we wanted to have a meal. I got to see what she was making up close. I always carry a sketchbook and pens with me when I go to my day base at Enrich Plus in Hamilton.
What’s it like to grow up in an artistic household?
From when I first started school, my parents always worked on a daily diary with me and I got to illustrate the stories of what happened each day. I was obsessed with the Home Alone movie series for a long time, so a lot of my drawings were about designing traps to catch the robbers. I still have most of the diaries 30 years later.
Who or what are your greatest inspirations?
My mum did a series of paintings called “There Is No Planet B”, which showed New Zealand birds flying over motorways and cities. They inspired me to do drawings of towns and birds too. I have done a lot of owl paintings and some of chickens because I like drawing the feathers. My mum’s favourite is called “Midnight Morepork”.
What has been your favourite piece to make and why?
Because I love owls I think “Night Owls” is one I still really like. Also, over the Christmas holiday, I spent weeks drawing a big piece on watercolour paper. It was called “Invisible Magic” and was what you can see in water when you use a microscope. Mum is always getting me to look for new subjects for drawings on my tablet. I entered it in the IHC Art Awards a few years ago and it won the People’s Choice Award. Then I sold it at the auction, which was really exciting.
How long have you been living in the Waikato and what do you love about it?
I lived in Raglan until I was 21. Mum’s house is next to the estuary and harbour so I get to see herons, tui, spoonbills and fantails flying very close by all the time. I moved into supported living in Hamilton but I still come home regularly and I always bring my sketchbook to show mum what I’m working on (and to watch the All Blacks games).
What are your future plans in terms of your art?
I would like to have another exhibition at my Mum’s gallery in Raglan. It’s called Artists at Work and sometimes I go there to draw while she works
in the gallery. At Labour Weekend in October I always take part in the Raglan Arts Weekend where I show my latest drawings. We used to have an open studio at home and heaps of people would come to look at our work but now we can have it at the gallery. I look forward to it every year because I get to talk to people about my art. I’m working on a playlist of music for the weekend but mum says she wants to ok it first.
Where can we find your artwork?
Come and visit me over the Raglan Arts Weekend to see my latest
artworks at the Artists at Work Gallery. My work can also be seen in The Little Gallery, Tairua and Whangamata; Soul Gallery, Hamilton; Heritage Gallery, Cambridge; Artists at Work Studio and Gallery, Raglan.
Raglan Arts Weekend is a self-guided tour of artists’ studios being held from October 26-28, 10am to 5pm daily.
Find prints of Julian’s work at palmprints.co.nz
Designing digital safety
Partnering with Samsung, Tauranga local Rory Birkbeck has built world-first technology to keep our kids safe online.
Partnering with Samsung, Tauranga local Rory Birkbeck has built world-first technology to keep our kids safe online.
WORDS Hanna Balemi | PHOTO Amy Bailey
Rory Birkbeck isn’t someone you’ll find on a pedestal, raging against the injustices of the world. The millennial dad and long-time Tauranga resident can often be found checking emails at a local cafe after dropping his two children at primary school. But behind the scenes, Birkbeck is building world-class technology to tackle one of the most critical global issues of our day: keeping children safe online.
In June, Safe Surfer, the social enterprise Birkbeck founded in 2016, partnered with tech giant Samsung to release a world-first: the Kid-Safe Smartphone and Tablet, designed with kids’ safety at the core. It is the result of nearly a decade of work at Safe Surfer, developing and refining software that monitors and safeguards internet use, and a collaboration that allows safe tech to be built into Samsung Galaxy devices and tablets. “For the first time, parents can choose robust, innovative products designed to meet the highest standards of safety and performance. These smartphones and tablets are built with safety by design.”
Birkbeck’s passion for online safety began when he started out in IT in the early 2000s, around the dawn of social media. As the platforms evolved around him, his concern grew — tech development was out-pacing safeguards, and he worried that the most vulnerable would pay the price. “There’s so much potential for good with technology. Opening
up free learning and discovery to groups who’ve been excluded is so exciting.”
Birkbeck is passionate about giving young people a chance to harness their creativity and the technological abilities they pick up by osmosis, and has taught coding to Tauranga teens and mentored young developers.
Through growing Safe Surfer, Birkbeck noticed the increasing gap between product design and development and the after-market products required to make them safer. “I grew more convinced that to build a future where kids are truly safe online, we were going to have to be working at the design level. Safety couldn’t be an afterthought anymore.”
Guided by this principle, Birkbeck and his team worked with Samsung to build Safe Surfer filtering technology into the phones and tablets, allowing parents to monitor every feature via a remote app. That means the camera can detect and block nudity, messaging features and apps are scanned for bullying, violence and grooming, and web browsers filter millions of harmful URLs. The Kid-Safe Smartphone and Tablets offer tiered levels of access, so they can grow alongside kids’ needs and maturity, while never compromising safe practices.
The Kid-Safe Smartphones and Tablets are available now in Australasian markets, but Birkbeck has a global vision. “We’re seeing a shift. Parents everywhere are passionate about online safety, because these are our kids. They deserve the best of the best and not basic-level compliance where safety is concerned. As developers, the onus is on us to think about our audience and take responsibility for the potential harms that software and platforms can cause.”
Birkbeck believes the entire market will be challenged to respond to this new innovation. “Our mission is to build technology that honours our kids, protects their attention and educates them. We see this all the time in the ‘real’ world — kids know that the concept of ‘swimming between the flags’ is there to protect them, and that’s what we want to bring to the online world. I feel proud to be part of this, and excited to see where it will go.”
Pure and simple
Sometimes a wine can taste great in the moment, with a stunning setting and cool tunes playing. But what happens when you strip all that back? UNO wine columnist
Jess Easton finds out.
Sometimes a wine can taste great in the moment, with a stunning setting and cool tunes playing. But what happens when you strip all that back? UNO wine columnist
Jess Easton finds out.
PHOTO Jamie Troughton/
Dscribe Media
It’s the ultimate test of a wine maker’s prowess – to see if your best vintage still sings while being sipped from a coffee mug, sitting on the floor.
Thanks to Matt Connell’s easy-going Otago charm and remarkable ability to produce wines that transcend the vessels they’re served in, he passed that particular test with flying colours.
That day remains one of my most memorable wine tastings, short on ceremony but long on delight. Matt’s distributor, Provenance NZ’s Rachel Baillie, called me one Tuesday afternoon to say they were in town, had a spare half an hour, and could they drop in?
The only problem was that I was in the middle of moving; in fact, the last boxes were lined up outside the door.
Did I mention it was also my birthday? There was a lot going on. I was possibly in trackies and in the middle of a final deep clean.
Rachel and Matt breezed in, we scrambled some coffee mugs from a box, raised a toast to spontaneity and then I truly celebrated my birthday in style.
Matt’s Rendition Pinot Noir is a hand-crafted, site-specific, boutique wine at its finest. He’s cleverly brought the fruit forward and then hidden it behind a silky subtle structure. It is incredibly well balanced, whether sipped from finest crystal or cheap porcelain.
And his Chardonnay is Chablis-style, crisp and interesting. He showcases the very soul of Central Otago, built on quartz reefs, gold nuggets, crisp winters and balmy summers.
Matt and his wife Beth have been involved in the wine industry for nearly a quarter of a century, combining hospitality experience, horticulture management and a passion for viticulture.
Each vintage they produce is unique – a tribute to the site it’s harvested from. On Matt’s most recent visit to Tauranga, we swapped moving house-vibes for a late-afternoon salt-infused beach, and he introduced us to his Area 45 Dry Muscat.
It’s a rare variety and needs to be treated carefully, so the heavy floral bouquets and whiff of lollies don’t overwhelm – instead, Matt’s trademark structure and dry finish takes you by delightful surprise.
Nothing is more surprising, mind you, than sampling something truly delicious in unexpected circumstances. I can definitely recommend it.
Jess Easton is a director and owner of Kitchen Takeover and St Amand, complementing her career as a Tauranga-based lawyer.
Dodging dodgy content: A parent’s guide
Parenting Place educator Holly-Jean Brooker helps us navigate dangerous content across the vast digital landscape.
Parenting Place educator Holly-Jean Brooker helps us navigate dangerous content across the vast digital landscape.
In today’s digital age, the internet is like the Wild West — full of fascinating discoveries but also some dangerous territories. Whether it’s explicit material, violent imagery or inappropriate language, dodgy encounters are almost inevitable.
So how can we equip young people to handle these encounters?
Set up good filtering
First things first, the internet is designed for adults. Start by installing really good filtering on all devices and wifi.
Engage in conversation
Begin by talking to your kids about the internet before they start using devices. Explain that while the internet is full of amazing resources and entertainment, it also has some content that can be disturbing or inappropriate. Reassure them that they can always come to you if they see something that makes them uncomfortable and it won’t be their fault.
Many kids fear devices being confiscated so make it clear that your priority is to help them understand and process what they’ve seen, not to punish them or take away their devices. Creating a sense of trust and openness will make it easier for them to approach you when they need support.
Shush and listen
When your child wants to talk about something they’ve seen online, give them your full attention. It’s upsetting when we hear our kids have seen something dodgy, but try to stay calm and avoid jumping to conclusions or reacting with anger or fear. Instead, be curious, ask open-ended questions to help them express their feelings and thoughts.
Your role is to be there for them, offering reassurance and guidance and empathy.
Use real-life examples
Kids can relate better to conversations grounded in reality. Share age-appropriate examples of dodgy content they might encounter, such as inappropriate comments on social media or disturbing images in a game. Ask them questions, like ‘What would you do if you saw something upsetting that made you feel weird’? And ‘Why do you think people might create or share this content’? Reassure them it’s okay to feel confused or upset by it.
Discussing real-life examples helps demystify the concept of dodgy content and gives kids the tools to identify and respond to it appropriately.
Set clear boundaries
Establishing guidelines for device use can help mitigate exposure to inappropriate content. Set time limits with parental controls and keep devices in shared family spaces to monitor what your child is accessing. Remember that no filter or rule can completely block out all dodgy content.
Focus on building self-control and good judgment, as these are the best tools your child can have in navigating the digital world. Reinforce that your door is always open for discussions about anything they find online.
Reaffirm your support
Above all, make sure your child knows you’re there for them, no matter what. Reaffirm your support and trust regularly, and remind them that they can talk to you about anything, whether it’s something they’ve seen online or a question about their favourite movie.
By keeping the lines of communication open, you help your child develop resilience and confidence in handling whatever they encounter online. Together, you can navigate the challenges of the digital age with understanding and support.
Meaning & the madness
He’s exposed hypocrites, taken on bullies, released a Netflix series and topped the box office with his two feature-length documentaries. Tauranga’s David Farrier reveals to Karl Puschmann the secret to his success, his one regret, his philosophy on life and how breaking his brain was the best thing he ever did.
He’s exposed hypocrites, taken on bullies, released a Netflix series and topped the box office with his two feature-length documentaries. Tauranga’s David Farrier reveals to Karl Puschmann the secret
to his success, his one regret, his philosophy on life and how
breaking his brain was the best thing he ever did.
Words Karl Puschmann | Photos Shayan Asgharnia + supplied
“All the best things that have happened to me – I’ve never planned them,” says David Farrier, his face scrunching into a look of quizzical bemusement. “If ever I do plan something, it usually goes disastrously wrong.”
It’s funny to hear him talk like this. From the outside, his life has seemed a steady, determined rise to the top. His media career began in the early 2000s, when as a fresh-faced journalism graduate, he took a job behind the scenes at 3 News. Passionate about pop culture, he began volunteering for entertainment-based assignments, eventually moving in front of the camera full-time as TV3’s entertainment journalist in 2006.
Even that wasn’t enough to occupy him, though, so he began a variety of side hustles, including acting, radio, writing for magazines and generally reporting on anything that tickled his fancy. The stranger, the better.
Deeply engaged with internet culture, David’s trajectory changed when he discovered the world of competitive endurance tickling. Originally, he thought he’d found a typically quirky story for the nightly news; however, the tale took a dark turn when his jovial request for an interview with the US producers resulted in a shockingly hostile email response.
Correctly inferring they had something to hide, David began seriously digging into the subject, leaving his role at TV3 to pursue it. He chronicled the twists and turns of his investigation in Tickled, his first full-length documentary feature.
With its unusual and taboo subject matter, its crooked antagonist and David’s underdog fight to get to the truth behind the fetishistic videos while facing a barrage of life-destroying legal and implied physical threats, Tickled got the world talking. It premiered at the esteemed Sundance Film Festival to critical acclaim, topped the New Zealand box office and announced the arrival of a new force in the documentary arena.
Since Tickled, David has produced and starred in the 2018 Netflix docuseries Dark Tourist, which saw him visiting places around the world
that you really wouldn’t want to; released his second feature documentary, 2022’s brilliant and bizarre Mister Organ; and created the ongoing podcast Flightless Bird with David Farrier for Hollywood actor Dax Shepard’s popular Armchair Expert network.
But the project he’s most passionate about, and the one that connects him directly to his audience, is Webworm. This is his online newsletter that lands directly in your inbox and sees him flexing his considerable journalistic muscles in tackling the delightfully strange and quirky as well as the heavy and newsworthy. He has a particular and devastating focus on bullies, conmen, hypocrites and false prophets.
David says this astounding career arc was all completely unplanned. In fact, growing up in Tauranga’s leafy Bethlehem, he didn’t even want to be a journalist. Instead, he’d meticulously plotted out his life in an entirely different field.
“I went to Auckland University to get into medical school,” he says. “To get into med school, you’re competing with all the smartest people. I felt so dumb because I was dumb in comparison. It was a stressful time.”
Even though it had been his dream, he quickly realised he wasn’t built for medicine when he had to dissect a rat and experienced a visceral reaction. “I wanted to vomit,” he admits with a grin. “I didn't have the brains or the stomach for medicine. I would have been terrible. I care about people, but not in that capacity.”
Then, more seriously, he says, “That year completely broke my brain. It made me reset. I stopped caring about having to reach a goal or do a thing.”
Faced with this harsh awakening, he dropped out of university, tore up the blueprint he’d mapped out for his life, threw caution to the wind and enrolled into AUT’s journalism course. “It was one of the best decisions I ever made because, from that point on, I tried to walk through doors that opened with the idea of seeing what happened and not being afraid to make mistakes,” he says, then smiles and adds, “So far that’s worked okay.”
David’s now a world-renowned documentarian living comfortably in Los Angeles, so the evidence agrees with him. Yet it’s hard to miss the irony in his origin story: in wanting a career in which he could fix people, he ended up breaking himself.
“Absolutely, it really did,” he says. “I used to be really stressed out, and over-plan everything. I’m still an anxious, uptight person, to a degree, but not to the level that I was. I’m a lot better at chilling than I used to be.”
“That year completely broke my brain. It made me reset. I stopped caring about having to reach a goal or do a thing.”
In his two documentaries, David’s stress manifests in real time – unsurprisingly, considering the intense and unsavory characters he’s documenting, especially Mister Organ’s psychologically manipulative antagonist Michael Organ, a man with an unnatural talent for picking his way unwanted into people’s minds. Off-screen, however, for the 15 or so years I’ve known him, David has only ever been a chilled-out customer. Cool as any number of cucumbers. Someone seemingly unphased by life’s general hang-ups and cruising through the world with a welcoming aura, an infectious smile and a genuine enthusiasm for whatever’s happening around him.
It’s an outlook all shaped by that devastating year, and the mental reckoning that followed. Indeed, the secret of his success, he reckons, is simply going with the flow.
“All the best things have come from completely random events, like Dax Shepard reading something I wrote for The Spinoff that now means I have a job and a life here. You’ve just got to be ready to respond to things that open themselves up in front of you, which sounds a bit airy-fairy, I know, but I’ve always tried to be open to random opportunities that came up.”
Even half a world away, David is still very much on top of the goings-on in Aotearoa. Through his Webworm investigations, he’s regularly ruffling the feathers of the unruly and setting the mainstream news agenda.
Webworm made headlines with David’s scrutinisation of the Arise megachurch, which uncovered the emotional and physical abuse carried out by its leaders; with his deep dive into Destiny’s Church, which saw them labelled a cult; and when he found himself in a legal tussle with extremist broadcaster Sean Plunket. This resulted in Plunket being forced out of his job at Mediaworks and facing two police charges, although they were later withdrawn.
Ask David why he’s still so interested in what’s happening here and he has a simple answer. “I care about New Zealand a lot,” he says. “It’s like this little petri dish of five million people trying to figure things out – like we all are. There are amazing stories there – good and bad.”
Although people generally associate him with the weird and quirky, his work on Tickled, Mister Organ and especially Webworm has seen him diving deep into heavy topics with people who experienced awful things and are deeply traumatised as a result. His exposé of Arise Church alone saw him contacted by hundreds of people detailing the evil they were subjected to.
Their stories can be harrowing, but ever since his brain reset, David says he’s been a fairly upbeat person. “I haven’t had any major mental health
swings. The megachurch stuff became overwhelming because it was a lot of people and it was about something really sensitive. There’s a pressure to give people what they need and support them as they’re telling the story, and that does add up. But I’m lucky that I’ve got a good group of friends around me. I never feel like I’m on my own in it.”
He also looks after himself by turning off the computer and “getting the f**k outside”. He enjoys walking around his neighbourhood and spending time in a nearby park, where he delights in seeing baby skunks and deer. He can spend hours there – although he has to remember to be back indoors by 11pm, because that’s when the coyotes stir.
“Getting outside in nature is the ultimate reset,” he smiles. “As long as I do that, I’m fine.”
His go-with-the-flow philosophy has led him to the darkest and most dangerous places on earth and to interact with the most loathsome and evil people. Reflecting on his wild journey is almost as surreal for him as it is for those who have vicariously tagged along.
“Each project feels like a different life or a different person,” he says with detached bemusement. “It’s partly the way my brain is wired. I’ve got a bit of a spicy brain.”
That said, there’s one moment he can never forget, and can only look back on with deep regret. “Swimming in a radioactive lake in Dark Tourist,” he says, referencing one of the most jaw-dropping scenes in a show chock-a-block with them.
This happened while he was travelling through Kazakhstan. His guides took him to the Atomic Lake and convinced him to join them for a refreshing dip in its nuclear waters.
“That was dumb,” he says, failing to hide how exasperated he feels with himself. “It was f*****g stupid to swim in that lake. If I could have my time again… It wasn’t worth it. But you know, we were a bit drunk at the time and there were some fun Russians who encouraged us. Objectively, it was really good TV and it felt exciting, but I look back on it and think
I should have skipped that one.”
Regrets, we all have a few. But David has come a long way from the self-described “uptight teen” he was growing up in Tauranga. He was born in Bethlehem on Christmas Day, which perhaps explains the holy fervour with which he pursues his subjects, and his devotion to battling bullies and sticking up for those in unfortunate circumstances. His Baptist parents homeschooled him until sending him to Bethlehem College when he hit his teens. With his med school plan firmly in mind, he studied hard, becoming head boy in his final year.
“I love the Bay,” he smiles, thinking back to his youth. “I’d regularly run up Mount Maunganui to try to get fit with my dad. I loved the beach. I wish I was a surfer – I’d just roll around in the waves.”
His beachy upbringing still manifests to this day. Rather than shorts, he favours wearing togs, bought in bulk during the winter sales at surf shops.
“I wear togs a lot of the time because I always think you should be prepared to jump in an ocean or any good body of water,” he once told me when I interviewed him a couple of years ago.
He says he’s due a home visit. He likes going to the hot pools, spending time on the walking tracks and tumbling around in the frothing surf. The last time he was here, he got a wave of nostalgia and went to the house where he grew up and knocked on the door.
“I thought they might be a bit like, ‘What the hell are you doing here?’” he laughs. “But they were so nice and took me inside.”
This would be a warm, fuzzy way to end our interview, with David warmly reminiscing about his childhood budgie and Chandler Bing, his favourite cat, but there’s still one last question to ask.
Few people have thoroughly engaged with both the best and worst of humanity in the same way David has. If anyone has a hot take on humanity as a whole, it has to be him.
“I meet so many people doing so many good things, wanting good out of life and being so genuine and kind and thinking about others, but there’s also a lot of horrific, terrible stuff going on out there,” he says. “Both things are true at the same time, right? It’s the joy of humans. But essentially, we’re all the same. We’re all just trying to understand this weird rock we’ve woken up on, with no idea of why we’re here.”
Sensing bigger topics of life, philosophy and enlightenment, I ask if he’s found any deeper meaning to life’s existential and eternal mystery throughout his explorations into good and bad, right and wrong, justice and evil.
“No,” he answers flatly. “I wish I had. I think my life is ultimately meaningless. It is all ultimately meaningless.”
Grinning he adds, “I know that’s not a very positive quote for you,” before flashing a reassuring smile.
“But this doesn’t mean life is hopeless in any way,” he continues. “It just means we’ve got to be really careful about how we use that time. We don’t have long here. It’s a matter of making the most of it.”
Then, with the accumulated wisdom of a man who has trawled the depths of humanity and survived, he says, “Ultimately, that’s the joy of it all.”
To sign up for David’s online newsletter, visit WEBWORM.CO
Style status
Stay cool on the outside, toasty on the inside.
Break out a new look this autumn.
Words Nicky Adams
Cos Belted double faced wool coat, $450
Winter warmers
Some people absolutely love winter fashion – the cosying up, full cover or layering are all considered seasonal techniques that are tried, tested and nigh on always a success. The appeal of the winter palette is another drawcard for many when it comes to staple pieces for those that happily gravitate towards classic darker tones. The big advantage that I see in a winter wardrobe is the ability to really explore beautiful fabrics. New Zealand has access to an abundance of natural fibres – wool in multiple forms such as Merino, as well as cashmere, beautiful silks that all make for stunning winter wear. For 2024 texture is a trending look, and nothing makes for a better textural visual than a combination of fibres – silky satin paired with leather, a super soft fine cashmere skirt matched with a heavy woollen cover up. A longline coat (or floor sweeper) is a definite staple must-have for winter. Often worn oversized with room for plenty of layers beneath, a tailored coat is something that
will never date. A strong look has been the incorporation of loungewear, which many A-listers have styled for colder months under tailored outerwear. The juxtaposition of hoody and sweatpants under a beautiful coat is a love it or hate it look. Meanwhile, the ultimate piece of winter footwear has to be the Ugg boot. A Southern Hemisphere staple for decades, it had a peak fashion moment in the early 2000s, which while it dipped back to lingering in the background, certainly seems to have come to the fore again this year.
And what’s not to love – comfort and practicality rolled into a squishy package. Leaning into brown colourways will be huge, from chocolate to chestnut, and as luck would have it brown pairs beautifully with the other hot seasonal colour of red.
Camilla & Marc Litha Dress $660. nz.camillaandmarc.com
Mix it up
Over-the-knee and thigh-high boots have been begging to be let back in the wardrobe for a while now. At first glance they may seem better suited to the streets of New York than the Bay of Plenty, but they can be more versatile and low key than first appears. If you don’t think you can make it work for you, then a pointed toe kitten heel ankle boot or a pair of Mary Janes should be a must have. Another hot ‘outfit maker’ would be a good piece of hardware. Adorned belts straight away become a statement piece – elevating a white tee shirt and jeans from blah to bling. There is going to be a lot of fluff around, particularly with coats and jackets – whether feather, fur or teddy – it can take a brave person to go head to toe, so if this is daunting then stick with the trim. If you go for fuzz, then contrast with something silky, or accessorise with a pair of leather gloves – a really stylish mix of textures. Whilst I hate to say leather again, it’s hard to avoid, because leather/faux leather has been so huge on the runways. Rather than rugged, the leather this season has a more feminine feel. A classic leather dress need not be a bank breaker, and a sleeveless slip style is ageless. If you want a wow separate, then sheer is the way to go. It’s everywhere, and it doesn’t have to be revealing – Rita Ora most of us are not. So pop a cami under a mesh top or bodysuit for modesty or a slip under a sheer dress and away you go. Oversized is the way to wear your knitwear, from turtleneck to crewneck – if it feels overwhelming then ‘knotting’ has become a styling technique. Equally the knotted look has carried over onto tops and dresses, which takes a shift style into something with a more flattering silhouette as well as adding to the aesthetic.
Gotta have it
The trends amplified by algorithms.
The fashion industry has had a makeover, embracing the concept that this is the age of wearing what suits us, and what makes us feel good. Nevertheless there will always be trends – the question is, who actually sets them?
We have entered an era where there is no clear authority. Previously fashion influences were straightforward, coming directly from the runway to the Highstreet to our wardrobe, with trends glamourised by A-list celebrities. Now we have social media, and with it an entirely different force to be reckoned with. The generational split of Tik Tok is narrowing, and now trends that rock on this platform are pitched not just at youth culture, but are more inclusive, finding different corners of the platform for the more mature audiences. With everyone from ‘Jo Public’ posting to highly strategised marketing campaigns being rolled out, it’s a forum for everyman. Even low-level social media followers will find they are exposed to various influencers aligned with clothing brands, designers and stores, opening our eyes to looks and styles we might otherwise have missed. The more we identify with someone, the more we’re likely to try out a trend.
So it’s little surprise that the latest looks come not just by way of the catwalks, but also through your feed. The interesting thing about the latest viral trends is that the fashion it's bringing to us are ‘upcycled’ – looks that we’ve not just seen before, but that are achievable with a bit of a dig around Depop, and perfectly suited to the current pared back economy.
Whooshing through 2024 is the Mob Wife aesthetic. Sweeping Tik Tok it’s everything you imagine and more. Grab your hairspray for bouffant hair, heavy make-up, big furs (real or fake) and show-stopping jewellry; it’s The Sopranos meets The Godfather meets Casino. Seen as a more grown up look than perhaps the Barbiecore craze, it personifies a woman who knows what she wants and who means business. Despite being popularised on the internet, it’s not a concept that has arrived from nowhere. Look to the runway and there will be elements with multiple designers: leather, bodycon, the theatrics of fashion beloved by the Italian designers from Dolce & Gabbana to Gucci.
The flamboyance of the Mob Wife is an extension of a trend that may have come to us via the fashion houses, but it’s also an iteration of what we find around us in pop culture. And pop culture is where it’s at. One of the biggest star power influencers, Zendaya, has just released
a film based around tennis. No surprise that ‘Tennis core’ is now raging, with mini pleated skirts and sporty chic silhouettes a huge look. Likewise the recent Amy Winehouse film introduced her kitsch unique style to a new generation. The key to embracing the essence without looking as though you’ve delved into a dress up box are to stop short of tacky. Each of these trends will resonate with anyone who loves to reach into the archives of their wardrobes or charity shops where large sunnies, vinyl skirt suits and musty furs are aplenty.
Sitting alongside this over-the-top dopamine dressing is Loud luxury. This again rejoices in the bold – leopard, polka dots, colour and edgier silhouettes – and if you want to indulge in a little logomania, then do so. Seen as the anti ‘old money’ and ‘clean girl’ look, Loud Luxury is overtly glamorous, but always tasteful. Drama, creativity and exuberance are key words – all of them conjuring up a more playful attitude towards fashion.
If all this sounds a little too out there, then fear not . Quiet Luxury – the head to toe of creams and neutrals, beloved by the likes of Gwyneth Paltrow – still simmers away, a low-key look that suits the fashion lover who longs for a wardrobe packed with understated elegance. So while searches for leopard print and faux fur coats have gone through the roof, the power of trend setting becoming more of a democracy means that there is room for everyone at the fashion table.
Victoria Beckham
Fashion forecast
Get ahead with the latest summer fashion trends.
Sheer Delight
While sheer fabrics have successfully bridged the gap between day and evening wear, as a rule they tend to be dark tones, predominantly black or slate grey. Spring will see sheer white dresses making their way from runway to street. Eek – the mind boggles with just how many ways this could be a fail.
Alexander McQueen
Rose Tinted Glasses
With a Garden Of Time dress code for the 2024 Met Gala, which has long been considered the highlight of the fashion calendar, it’s perhaps not surprising some of the designers doubled down on their floral creations for their Spring/Summer 2024 collections. However, it’s a very specific nod to Roses. Long thought of as the most romantic of the blooms, it fits with some of the feminine themes that are headlining for this season.
Gucci/ JW Anderson
Sport of Course
Sportswear has been elevated to new heights over the last few years, with the lines blurred between leisurewear/loungewear and sportswear. It’s hard to know if activewear with heels will really take off, but it’s easy to see the appeal of oversized hoodies worn as dresses, or trackie tops with jeans.
Stella McCartney
Ice Ice Baby
Soft icy blue is a welcome colour for spring – limitless in its pairings, with black it feels bold, with brown there’s a bit of a retro vibe, or with beige for elegance. It’s a very versatile shade as it can be worn head to toe without being overpowering and looks good on blondes and brunettes alike.
Primed to perfection
Step into a fully furnished, three-storey townhouse offering stunning beach and bay views. Recently renovated with industrial-chic design, smart technology, and a separate two-bedroom flat — this home is truly one-of-a-kind.
Step into a fully furnished, three-storey townhouse offering stunning beach and bay views. Recently renovated with industrial-chic design, smart technology, and a separate two-bedroom flat — this home is truly one-of-a-kind.
Words Jo Ferris | Photos Amanda Aitken
Today’s trend of dressing a property for sale has a personal input with this home. It’s already dressed — ready to go — what you see is what you get. Bar the artwork of course — particularly one striking piece that dominates a feature wall in the top-floor living area.
In a move to downsize, this vendor is leaving all the furniture and much of the equipment behind — taking only personal items before closing the door on this intriguing venture. This is the heart of downtown Mount — views towards the beach on one side and Pilot Bay on the other — within walking distance of everything.
This three-storey townhouse received a head-to-toe renovation when bought. New roof, new insulation, double glazing, new gib, new open stairwell, new decor and sophisticated technology throughout. If one word were to describe this home, personality would be it. Maybe one more; personality plus.
The home goes beyond imagination in its approach. It introduces industrial influences with a sense of smoky-bar nightclub; cigars allowed and bourbon on tap in top-floor living. Either stepping up the flight of stairs — railings lit beneath and sensors showing the way; or taking the lift — the welcome is immediate. The kitchen sits centre stage — casual living at the front with balconies either side, dining booth in its own zone and a TV lounge at the rear — Mauao in all its glory in full view.
Party central in the middle houses a chef’s domain for serious cooking and separate stations; complete with a drinks’ bar cocktail mixers dream of. By day, perfect, by night, lights set within quartz counters highlight the brilliance of the detail – ready to set the mood.
Moods define this entire home – from the darkness of the dedicated theatre to every bedroom. One cleverly doubles as a bedsit office, thanks to the pull-down bed within closet cabinetry. Bathroom personality doesn’t disappoint either. An industrial look in the family bathroom strikes a chord with heavy-metal style tapware and cast-iron vintage bath — complete with ceiling spout. The master bathroom follows suit
with a ceiling spout dropping water into its elegant oval bath.
Masculinity meets femininity in ways that appeal to personal tastes. Underpinning it all however, is state-of-the-art functionality. Smart technology includes wireless internet on every floor, Sonos surround sound, a talking fridge, sensor lighting, 16 solar panels, Tesla battery. All the bells and whistles; plus the bonus advantage of a separate, two-bedroom flat — complete with a tenant.
Personality plus.
13A Commons Ave, Mount Maunganui
A classic twist
Adding another dimension to an established brand.
Adding another dimension to an established brand.
Words Nicky Adams
There’s lots to like about husband-and-wife team Paul and Corina Taylor, particularly if you enjoy good humour with a side order of honesty. Paul is articulate and animated, plus he makes a mean cup of tea. Corina’s warmth and gentle manner put you at ease straight away. Together with Paul’s brother David they hold the licence for and are owner/operators of Classic Builders Rotorua and Taupō.
To unravel what exactly this means, I double check with Paul, who clarifies: “We hold a licence agreement to build within the Rotorua and Taupō councils and we work under a licence manual… Classic provides a back-of-office service for us with our design work, accounting, marketing, health and safety.” Essentially, Paul, Corina and David are very much Classic; “We’ve got the brand; together we’ve got 28 years’ experience of working with the brand, we’ve got the national supplier agreement, the systems, the processes – the aftercare service and warranty – all the stuff that’s always at the forefront. We bring our customer service, excellence, and quality. Our biggest added value is our experience.” The formula is clearly working, as, for the second year running, the team has just scooped a slew of accolades at the Classic Builders National Awards.
Paul has been with Classic for 19 years, moving from operations to licence holder; Corina joined the business 11 years ago with a strong background in sales and real estate, and found her true passion as colour and design consultant. Brother David came up from Palmerston North and in 2014 jumped on board the Classic ship, starting as construction manager and moving up to branch manager before taking on regional manager of Rotorua and Lakes. This powerhouse combination has a real confidence that only years in the game can bring. Corina points out: “There wouldn’t be too many areas of building where we haven’t got experience or a situation we haven’t come across before. Between the three of us we’ve got a tonne of expertise. With Paul, you’ve got the land acquisition, business/finance acumen and supplier relationships; David’s got the operational and building brain and I’ve got the face to face with the clients – refining the look they want, the colours, materials and specifications.” Paul chimes in: “We know our lane; we know where our strengths are”. Corina agrees, “there’s strong leadership in all three of those areas, and that filters down to our team, so they’ve got clear, strong direction and leadership and they really feel like we’ve got their back. Talia (our building co-ordinator) always says, “it’s like we’re in one big wāka rowing in the same direction.”
The impetus to branch away and establish their own part of the company was an organic progression. As Paul clarifies; “After being within the brand for 19 years I wanted to use all that expertise that I’d learnt to continue my journey and bring that to a different region. I had a vision of how things could be done at a grass-root level and wanted to get back to being more customer facing.” They both get animated as they explain how they could see the potential and growth in this area, which they have created and generated with the help of their team. Corina reiterates how adding value to the community has spurred them on, and Paul relishes the relationships they have built with land stakeholders, local iwi, various land developers and other members of the community supply chain.
Corina’s sideline passion is her role as work events coordinator. Laughing, they both agree her love of organisation enables her to excel in this position. Joking aside, they go on to talk about how hugely important the sense of ‘team’ is to not just them personally, but to the success and growth of the business. The social side is huge: “We always celebrate our wins, our birthdays our anniversaries.” Paul sums it up: “We work together, play together, stay together.” Talking of events, the team is about to celebrate its fourth anniversary, which is a milestone the trio are hugely proud of. Within that time the team has grown from three to 12 and is still expanding. In a flat market it’s definitely bucking the trend to be experiencing growth. I wonder what Paul and Corina would consider has helped with this. Paul is hesitant, as he’s aware it’s not something that’s currently experienced across the board. “I suppose we’ve read the market, and we know how to deliver to these conditions. We’re adaptable: that’s what a small team brings.” Corina agrees. “We’re able to reduce square meterage to bring a price down – we know how to deliver a price point product of spec and looks. What we do well is very targeted to suit the market.” Paul adds: “And we deliver what we say we will. There are no hidden exclusions.”
They also pride themselves in managing to cater for a broad demographic, from duplexes for a couple, to four-bed family homes, to investor properties. Repeat custom is something they’re excited has started to happen – there’s real pride when they mention people who have returned, a testament, amongst other things, to their relationship building.
Client relationships, they say, are crucial to the whole team. Their carefully crafted ‘Wall of Fame’ in the office has a photograph of every handover they’ve ever done. “There’s detail,” says Paul. “We haven’t just slapped it up.” Corina adds: “We really celebrate with our clients. It’s such an emotional process – you’re a huge part of each other’s lives for the duration of the build process. We love the handovers, it’s a big deal”. The Classic Care policy ensures the continuation of the relationship, even after completion. The Rotorua-based design centre reflects the blend of Corina’s systematic and creative personality. Purposely built for the client experience, it’s a visual space where the products are almost artworks. The layout of the room follows a build schedule, enabling clients to place selected swatches on the table, ultimately creating the home they will build. Corina thrives on her role: “I love helping people create the vision they have for themselves and their home; pulling all their ideas together and giving them different options in a budget-conscious way that fits within their build and our brand. Knowing they can have a beautiful home that they can be really proud of, but that fits within all our standard specs.” Operating from the hub, the team all hail from different parts of the region, and understand the value of ties with the community. That reaches beyond the clients to every part of the build chain, from the land to the carpet layers to the kitchen supplier. Every team member, according to Corina, gives their absolute all, “the work ethic of our people blows me away.”
Client relationships are of course integral; once that bond is established the trust follows. Transparency is their currency. Paul stands by his word: “We have a fixed price; we don’t have any escalation clauses. Within the contract – if we’re in control as the build partner we can give you a fixed price contract. But also, there’s flexibility if you want to have a provisional sum where you may want variations. You sign off everything first. We have a design and build contract, or house and land where we control the overall package. We’ve got flexibility – but again, it comes to a fixed price.” Adaptability, value for money, honesty and integrity are all central to what makes the wheels turn. “And positivity,” enthuses Paul.
What advice would you give someone looking to build?
Trust/understand your build partner. Do your research. Make sure you’re comparing apples with apples – go through the details.
Why would people choose to build in this market?
You end up with a healthy home with all the new standards (better insulation/ better joinery/heating etc). Better funding options with building new. There are good options out there, and you’ve got time to research as it’s not a flooded market.
How to avoid common mistakes?
No two sites are the same, so get down to the detail. Go with a reputable brand with experience.
What should be the primary focus on a build?
Focus on the needs – add in the wants/wishlist. Be honest about what you have to spend.